The Lapidary Museum has housed the classical Greek, Etruscan, Roman and Gallo-Roman sculptures and objects of the Calvet Museum since the 1980s. They are both run by the Fondation Calvet. As well as exhibiting the museum's core collections, it also mounts summer temporary exhibitions.
The museum is based in a 17th-century building, previously the chapel of the city's Jesuit College. It was begun in 1616, initially to plans by Étienne Martelange and then by François de Royers de la Valfenière from 1620 onwards. de la Valfenière raised the walls as far as the nave's main cornice.
As well as Etruria, classical Greece and Rome and the Gallo-Roman era, the collections cover Gallic and Early Christian art. The highlight of the prehistoric collections is the 'Lauris-Puyvert Stela' in ologenic limestone. The Greek, Roman, Etruscan and Gallic objects include vases and lamps as well as bas-reliefs and statues, along with a number of Etruscan funerary monuments.
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The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.