Brahetrolleborg is a castle was known as Cistercian Holme Abbey before the Reformation. The abbey was founded and settled in 1172 from the Cistercian Herrevad Abbey in Scania, now in Sweden, of which it was a daughter house. It was secularised during the Reformation, probably in 1536.
After the abbey was secularised and taken into the possession of the Danish Crown, the Crown released it into private ownership. In 1568 it became the property of Heinrich Rantzau, from whom it acquired for a time the name Rantzausholm. After reverting again to the Crown in 1661, it was granted in 1664 by King Frederick III of Denmark to his court favourite, the German merchant and politician Christoffer Gabel, who exchanged it three years later for the chalk mountain of Segeberg with Birgitte Nielsdatter, of the Trolle family and married into the Brahe family, whence the name of the castle and also of her barony, Brahetrolleborg. The Trolles sold it in 1722 to Christian Detlev von Reventlow, the Oberpräsident of Altona, and the estate has remained until today in the Reventlow family.
The former Cistercian church, laid out according to the plan of Saint Bernard, is now the chapel of Brahetrolleborg. It has a tower on the west front, and possesses a crucifix by Claus Berg of about 1500. The conventual buildings, located to the right of the church, were converted after secularisation for use as a castle, which was comprehensively overhauled in about 1870.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.