Søborg Castle, in its heyday, was the strongest castle in Denmark, and was also used as a prison. It was inhabited until the Count's Feud in 1535, when it is speculated that it was destroyed. In 1577, the feudal tenant was granted permission to use the ruins as a quarry.
Søborg Castle is first known from the 12th century, when ownership of the castle passed from the king to the bishop of Roskilde. Traditionally archbishop Eskil of Lund is said to have expanded the previous buildings to a real castle with defensive walls and a moat. As Eskil was in close contact with Esrum Abbey, it is considered likely that he lived nearby at Søborgby.
In 1985, Robert Egevang and Søren Frandsen took the initiative of digging two trenches to make clear the conditions between the octagon tower and the castle proper. A rampart approximately 11 meters wide is the oldest encirclement of the castle. In the rampart, as well as in the octagon tower which was built at the same time, tiles have been found. The excavations show that the castle proper was erected in the late 13th century, which would make it unlikely that Eskil was the builder, as he died in 1181. The tiles are very unevenly made, evidence of their novelty in Denmark, after having only recently arrived from Lombardy.
In the Middle Ages, the castle was on an island in a fjord with an outlet to the Kattegat by Gilleleje. Later, the fjord became Søborg Sø, which was drained 1872-1896 when a canal was dug to Gilleleje.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.