Gjorslev is a cruciform medieval castle, originally owned by the Bishop of Roskilde. It is considered one of the most well-preserved examples of Gothic secular architecture in Denmark. Gjorslev was built in about 1400 by Peder Jensen Lodehat, Bishop of Roskilde. It remained in the possession of the Roskilde bishops until the Reformation which led to its confiscation in 1637. It was sold in 1540 and was then in the possession of changing owners until 1678 when it came under the Crown once again. It was then owned by the Lindencrone family from 1763 to 1791, from 1793 to 1923 by the Scavenius family, and from 1925 and until the present day it has been in the possession of the Tesdorpf family.
Gjorslev is surrounded by moats and built to a cruciform design in the Gothic style. The building materials are a combination of local limestone from the Cliffs of Stevns and large bricks (Danish 'monk stones'). The central tower is just under 30 m tall and has seven storeys. The south arm of the cross is slightly longer than the other three. A lower north wing was added in 1638. Access to the main building was originally through the celler from an entrance below the bishop's chapel which was located on the east side of the southern cross arm. From the vaulted celler below the tower, a flight of stairs led to the domed hall in its ground floor. This arrangement was altered by Ewert Janssen between 1665 and 1676. The chapel was demolished and the entrance moved to the eastern cross arm which was also given a new facade and an internal staircase in the Baroque style.
The design of the roof was adapted in 1748 when the original crow-stepped gable with blank arches were replaced by hipped roofs and a pyramidical roof on the tower. The last time the building was altered was in 1843 when a long south wing was added. The castle stands at the end of a street known as 'Broad Street' which is lined by red timbered farm buildings from 1713.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.