Montivilliers Abbey

Montivilliers, France

The Abbey Church of Notre-Dame, sometimes referred to as 'Montivilliers Abbey' dates back to 684, although it was destroyed a Viking raid in 850, and rebuilt as a church in both the Romanesque and Gothic styles. It fell into decline by the late 1700's. Its decline went up to the French revolution at the end of the 18th century when it was closed and sold. Fortunately the abbey was not destroyed and was later bought back by the city of Montivilliers. An ambitious restoration program which was completed in 2000 gave back to the abbey its splendor.

Besides the church, it now houses exhibition rooms and the cloister has regained its elegance. The plan of the abbey is a traditional one: western building mass with two towers, large un-vaulted nave, projecting transept, lantern tower and gradated tower. The older parts are located in the choir and in the base of the western mass which dates from the end of the 11th century.From the renovated refectory to the rebuilt cloisters, and from the chapter house to the dormitory, as part of a moving museum exhibit that vibrantly evokes the nuns' lives, the abbey's history and its architecture.

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Details

Founded: 11th century
Category: Religious sites in France
Historical period: Birth of Capetian dynasty (France)

More Information

www.abbaye-montivilliers.fr

Rating

4.2/5 (based on Google user reviews)

User Reviews

track music (4 months ago)
Sympa petite église mais peu de travaux on sent le vieux et le délaissé.
nadine danjou (4 months ago)
Enfin je l ais visité .... Magnifique
Mohamed Miraoui (4 months ago)
J aime ce lieu son architecture
Chantal DUCROS (5 months ago)
Très belle abbaye, accueillant souvent des expositions. A visiter
Nicolas GAELLE (5 months ago)
La visite de ce lieu mérite vraiment d'être faite. Je n'aurais jamais cru avant d'y pénétrer que cette bâtisse était si ancienne et son histoire si riche. Dès le début, vous pourrez admirer le jardin intérieur avant de débuter la visite. Cette dernière est composée d'une multitude de maquettes, animations, projections, peintures et bien plus encore. A visiter à tout prix !
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Porta Nigra

The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.

The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.

In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.

In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.

After 1028, the Greek monk Simeon lived as a hermit in the ruins of the Porta Nigra. After his death (1035) and sanctification, the Simeonstift monastery was built next to the Porta Nigra to honor him. Saving it from further destruction, the Porta Nigra was transformed into a church: The inner court of the gate was roofed and intermediate ceilings were inserted. The two middle storeys of the former gate were converted into church naves: the upper storey being for the monks and the lower storey for the general public. The ground floor with the large gates was sealed, and a large outside staircase was constructed alongside the south side (the town side) of the gate, up to the lower storey of the church. A small staircase led further up to the upper storey. The church rooms were accessible through former windows of the western tower of the Porta Nigra that were enlarged to become entrance doors (still visible today). The top floor of the western tower was used as church tower, the eastern tower was leveled, and an apse added at its east side. An additional gate - the much smaller Simeon Gate - was built adjacent to the East side of the Porta Nigra and served as a city gate in medieval times.

In 1802 Napoleon Bonaparte dissolved the church in the Porta Nigra and the monastery beside it, along with the vast majority of Trier"s numerous churches and monasteries. On his visit to Trier in 1804, Napoleon ordered that the Porta Nigra be converted back to its Roman form. Only the apse was kept; but the eastern tower was not rebuilt to its original height. Local legend has it that Napoleon originally wanted to completely tear down the church, but locals convinced him that the church had actually been a Gaulish festival hall before being turned into a church. Another version of the story is that they told him about its Roman origins, persuading him to convert the gate back to its original form.

In 1986 the Porta Nigra was designated a World Heritage Site, along with other Roman monuments in Trier and its surroundings. The modern appearance of the Porta Nigra goes back almost unchanged to the reconstruction ordered by Napoleon. At the south side of the Porta Nigra, remains of Roman columns line the last 100 m of the street leading to the gate. Positioned where they had stood in Roman times, they give a slight impression of the aspect of the original Roman street that was lined with colonnades. The Porta Nigra, including the upper floors, is open to visitors.