Duurstede Castle dates from the 13th century. Around 1270, Zweder I van Zuylen van Abcoude built a freestanding keep on a raised and moated site near the lost city Dorestad. Until the beginning of the 15th century Duurstede Castle was in possession by the Van Zuylen van Abcoude family, until they were forced to sell it to the bishops of Utrecht in 1449.
Bishop David of Burgundy, who reigned from 1459 to 1496, completely rebuilt the castle. The old donjon was enclosed by new buildings. The still intact burgundian tower was also built around this time. His successorsFrederick IV of Baden and Philip of Burgundy also used the castle as their residence, and Philip of Burgundy embellished the castle with renaissance features. Philip of Burgundy settled at Duurstede Castle when he became bishop of Utrecht in 1517. He was accompanied by his court painter Mabuse (Jan Gossaert), who helped to decorate the new palace of his master. At Philip's death, in 1524, Mabuse designed and erected his tomb in the church of Wijk bij Duurstede. After Philip's death, Charles V, Holy Roman Emperor confiscated all territorial possessions of the bishopric of Utrecht, including Duurstede Castle.
In 1580, as a result of the Dutch Revolt, the castle fell into the hands of the States of Utrecht. The states, however, invested their money into building modern fortification around Wijk bij Duurstede, and as a result the castle fell into neglect. Further damage was done when French troops devastated Wijk by Duurstede in 1672, after which the townspeople used stone from the castle to rebuild their homes.
In 1852 the town council became owner of the castle and turned the surrounding fortifications into a park. Until 1925 the castle could only be reached by a little ferry.
The old donjon built by Zweder van Abcoude in the 13th century has withstood the passage of time reasonably well, and is an excellent example of medieval towers. The walls are 2.5 metres thick; the original entrance was at the second level and could only be reached with a wooden ladder that could be removed or destroyed in times of need.
One of the corner towers of the old castle was expanded in the 15th century into its current form. While the rest of the castle had a more residential purpose, this so-called Burgundian tower obviously had a military purpose. It is more than 40 metres high, and has very thick walls.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.