Kamp Schoorl was the first concentration camp in the Netherlands, established in 1940 soon after the German troops were occupied Netherlands. Among the prisoners were also people from England, Belgium and France. After a few months the French and the Belgian were released. The English prisoners were transferred to a German camp Gleiwitz in September 1940.
The first Jews, captured in 22th and 23th February 1941 in Amsterdam, were transferred in an army truck to the camp. The group of 425 people only stayed for 4 days after which they are transferred to concentration camp Buchenwald where they again are transferred in June 1941 to concentration camp Mauthausen. Only two of this group survived the war.
For about 1,900 people was the camp their first camp before being transferred to other camps. More than 1,000 of them never returned, mainly Jews and political prisoners. The regime in the camp was mild compared to the other Dutch camps. There was not heavy labour and there was enough food.
The camp was closed by the Germans because the camp was too small and located between the dunes. It was not easy to enlarge it. In October 1941 the camp was closed. Some of the prisonars were released, but most of the prisoners were transferred to Kamp Amersfoort. 25 women were directly transported to concentration camp Ravensbrück. Until the end of the war, militia of the Wehrmacht and the Organisation Todt used the camp as a base.
After the war the camp was used to imprison NSB members and was finally demolished in 1950.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.