The Basilica of St. Nicholas is the major Catholic church in Amsterdam. Officially the church was called St. Nicholas inside the Walls, i.e. the oldest part of the Amsterdam defence works. The architect, Adrianus Bleijs (1842-1912) designed the church basing himself on a combination of several revival styles of which Neo-Baroque and neo-Renaissance are the most prominent models.
The facade is crowned by two towers with a rose window in between. The centre of this window is formed by a bas relief depicting Christ and the four Evangelists, made in the Van den Bossche and Crevels workshop in 1886. A sculpture of the patron saint of both the church and the city of Amsterdam was placed in a niche in the upper section of the gable top. The well-known sculptor Bart van Hove (1850-1914) made the sculpture in 1886. The crossing is articulated by a large octagonal tower with a baroque dome and lantern and crowned by a cross. The basis of the groundplan is the scheme of the classic three-aisled cross-basilica, i.e. a nave, two aisles and a single transept. The choir is located as is usual, at the end of the nave. In the corners formed by the transept and the nave, two chapels are located, traditionally devoted to Mary and Joseph.
The basilica has a collection of religious murals. Above the high altar is the crown of Maximilian I, which is a symbol seen throughout Amsterdam. Inside the newly renovated church, a 19th-century Sauer Organ can be found, on which concerts are given and mass is accompanied.References:
The Church of Our Lady before Týn is a dominant feature of the Old Town of Prague and has been the main church of this part of the city since the 14th century. The church's towers are 80 m high and topped by four small spires.
In the 11th century, this area was occupied by a Romanesque church, which was built there for foreign merchants coming to the nearby Týn Courtyard. Later it was replaced by an early Gothic Church of Our Lady before Týn in 1256. Construction of the present church began in the 14th century in the late Gothic style under the influence of Matthias of Arras and later Peter Parler. By the beginning of the 15th century, construction was almost complete; only the towers, the gable and roof were missing. The church was controlled by Hussites for two centuries, including John of Rokycan, future archbishop of Prague, who became the church's vicar in 1427. The roof was completed in the 1450s, while the gable and northern tower were completed shortly thereafter during the reign of George of Poděbrady (1453–1471). His sculpture was placed on the gable, below a huge golden chalice, the symbol of the Hussites. The southern tower was not completed until 1511, under architect Matěj Rejsek.
After the lost Battle of White Mountain (1620) began the era of harsh recatholicisation (part of the Counter-Reformation). Consequently, the sculptures of 'heretic king' George of Poděbrady and the chalice were removed in 1626 and replaced by a sculpture of the Virgin Mary, with a giant halo made from by melting down the chalice. In 1679 the church was struck by lightning, and the subsequent fire heavily damaged the old vault, which was later replaced by a lower baroque vault.
Renovation works carried out in 1876–1895 were later reversed during extensive exterior renovation works in the years 1973–1995. Interior renovation is still in progress.
The northern portal is a wonderful example of Gothic sculpture from the Parler workshop, with a relief depicting the Crucifixion. The main entrance is located on the church's western face, through a narrow passage between the houses in front of the church.
The early baroque altarpiece has paintings by Karel Škréta from around 1649. The oldest pipe organ in Prague stands inside this church. The organ was built in 1673 by Heinrich Mundt and is one of the most representative 17th-century organs in Europe.