Sainte-Chapelle (The Holy Chapel) is a 13th-century Gothic chapel on the Île de la Cité in the heart of Paris, France. Sainte-Chapelle was founded by the ultra-devout King Louis IX of France, who constructed it as a chapel for the royal palace and to house precious relics. The palace itself has otherwise utterly disappeared, leaving the Sainte-Chapelle all but surrounded by the Palais de Justice.
Unlike many devout aristocrats, who regularly swiped sacred relics, the saintly Louis bought his for a hefty sum. In 1239, he purchased the crown of thorns from the impoverished Latin emperor at Constantinople, Baldwin II, for 135,000 livres (the entire chapel, by contrast, cost 40,000 livres to build). A piece of the True Cross was added, along with other relics, making Sainte-Chapelle a valuable reliquary.
In addition to properly sheltering his holy relics, Sainte-Chapelle was a result of Louis' political ambition to be the central monarch of western Christendom. At the time Louis' royal chapel was constructed, the imperial throne at Constantinople was occupied by a mere Count of Flanders and the Holy Roman Empire was in uneasy disarray.
Sainte-Chapelle was planned in 1241, started in 1246 and quickly completed: it was consecrated on April 26, 1248.
Just as the Emperor could pass privately from his palace into Hagia Sophia in Constantinople, so now King Louis could walk directly from his palace into the Sainte-Chapelle. The king died of the plague on a crusade, was later canonized by the Pope, and is now known as Saint Louis.
During the French Revolution, the chapel was converted to an administrative office, and the windows were obscured by enormous filing cabinets. Their all-but-forgotten beauty was thereby inadvertently protected from the vandalism in which the choir stalls and the rood screen were destroyed, the spire pulled down and the relics dispersed.
Most of Louis' precious relicswere lost or destroyed in the French Revolution; the few that remain are in the treasury of Notre-Dame Cathedral. In the 19th century, Viollet-le-Duc restored the chapel. The current spire is his design. Sainte-Chapelle has been a national historic monument since 1862.
Despite its small and humble exterior above the Palais de Justice buildings, Sainte-Chapelle is among the high points of French High Gothic architecture. The interior gives a a strong sense of fragile beauty, created by reducing the structural supports to a bare minimum to make way for huge expanse of exquisite stained glass. The result is a feeling of being enveloped in light and color.
Sainte-Chapelle stands squarely upon a lower chapel which served as parish church for all the inhabitants of the palace. This chapel, which is rather plain, is dedicated to the Virgin Mary. A souvenir stand often occupies most of the chapel today.
The most visually beautiful aspects of the chapel, and considered the best of their type in the world, are its 6,458 square feet of stained glass windows of the upper chapel, surrounded by delicate painted stonework. The windows are in deep reds and blues and illustrate 1,130 figures from the Bible. The rose windows added to the upper chapel in the 15th century.References:
Heraclea Lyncestis was an ancient Greek city in Macedon, ruled later by the Romans. It was founded by Philip II of Macedon in the middle of the 4th century BC. The city was named in honor of the mythological hero Heracles. The name Lynkestis originates from the name of the ancient kingdom, conquered by Philip, where the city was built.
Heraclea was a strategically important town during the Hellenistic period, as it was at the edge of Macedon"s border with Epirus to the west and Paeonia to the north, until the middle of the 2nd century BC, when the Romans conquered Macedon and destroyed its political power. The main Roman road in the area, Via Egnatia went through Heraclea, and Heraclea was an important stop. The prosperity of the city was maintained mainly due to this road.
The Roman emperor Hadrian built a theatre in the center of the town, on a hill, when many buildings in the Roman province of Macedonia were being restored. It began being used during the reign of Antoninus Pius. Inside the theatre there were three animal cages and in the western part a tunnel. The theatre went out of use during the late 4th century AD, when gladiator fights in the Roman Empire were banned, due to the spread of Christianity, the formulation of the Eastern Roman Empire, and the abandonment of, what was then perceived as, pagan rituals and entertainment.
In the early Byzantine period (4th to 6th centuries AD) Heraclea was an important episcopal centre. A small and a great basilica, the bishop"s residence, and a funerary basilica and the necropolis are some of the remains of this period. Three naves in the Great Basilica are covered with mosaics of very rich floral and figurative iconography; these well preserved mosaics are often regarded as fine examples of the early Christian art period.
The city was sacked by Ostrogoth/Visigoth forces, commanded by Theodoric the Great in 472 AD and again in 479 AD. It was restored in the late 5th and early 6th century. When an earthquake struck in 518 AD, the inhabitants of Heraclea gradually abandoned the city. Subsequently, at the eve of the 7th century, the Dragovites, a Slavic tribe pushed down from the north by the Avars, settled in the area. The last coin issue dates from ca. 585, which suggests that the city was finally captured by the Slavs. As result, in place of the deserted city theatre several huts were built.
The Episcopacy Residence was excavated between 1970 and 1975. The western part was discovered first and the southern side is near the town wall. The luxury rooms are located in the eastern part. The 2nd, 3rd and 4th rooms all have mosaic floors. Between the 3rd and 4th rooms there is a hole that led to the eastern entrance of the residence. The hole was purposefully created between the 4th and 6th century.