Sainte-Chapelle (The Holy Chapel) is a 13th-century Gothic chapel on the Île de la Cité in the heart of Paris, France. Sainte-Chapelle was founded by the ultra-devout King Louis IX of France, who constructed it as a chapel for the royal palace and to house precious relics. The palace itself has otherwise utterly disappeared, leaving the Sainte-Chapelle all but surrounded by the Palais de Justice.
Unlike many devout aristocrats, who regularly swiped sacred relics, the saintly Louis bought his for a hefty sum. In 1239, he purchased the crown of thorns from the impoverished Latin emperor at Constantinople, Baldwin II, for 135,000 livres (the entire chapel, by contrast, cost 40,000 livres to build). A piece of the True Cross was added, along with other relics, making Sainte-Chapelle a valuable reliquary.
In addition to properly sheltering his holy relics, Sainte-Chapelle was a result of Louis' political ambition to be the central monarch of western Christendom. At the time Louis' royal chapel was constructed, the imperial throne at Constantinople was occupied by a mere Count of Flanders and the Holy Roman Empire was in uneasy disarray.
Sainte-Chapelle was planned in 1241, started in 1246 and quickly completed: it was consecrated on April 26, 1248.
Just as the Emperor could pass privately from his palace into Hagia Sophia in Constantinople, so now King Louis could walk directly from his palace into the Sainte-Chapelle. The king died of the plague on a crusade, was later canonized by the Pope, and is now known as Saint Louis.
During the French Revolution, the chapel was converted to an administrative office, and the windows were obscured by enormous filing cabinets. Their all-but-forgotten beauty was thereby inadvertently protected from the vandalism in which the choir stalls and the rood screen were destroyed, the spire pulled down and the relics dispersed.
Most of Louis' precious relicswere lost or destroyed in the French Revolution; the few that remain are in the treasury of Notre-Dame Cathedral. In the 19th century, Viollet-le-Duc restored the chapel. The current spire is his design. Sainte-Chapelle has been a national historic monument since 1862.
Despite its small and humble exterior above the Palais de Justice buildings, Sainte-Chapelle is among the high points of French High Gothic architecture. The interior gives a a strong sense of fragile beauty, created by reducing the structural supports to a bare minimum to make way for huge expanse of exquisite stained glass. The result is a feeling of being enveloped in light and color.
Sainte-Chapelle stands squarely upon a lower chapel which served as parish church for all the inhabitants of the palace. This chapel, which is rather plain, is dedicated to the Virgin Mary. A souvenir stand often occupies most of the chapel today.
The most visually beautiful aspects of the chapel, and considered the best of their type in the world, are its 6,458 square feet of stained glass windows of the upper chapel, surrounded by delicate painted stonework. The windows are in deep reds and blues and illustrate 1,130 figures from the Bible. The rose windows added to the upper chapel in the 15th century.References:
The Old Town Hall of Wrocław is one of the main landmarks of the city. The Old Town Hall's long history reflects developments that have taken place in the city since its initial construction. The town hall serves the city of Wroclaw and is used for civic and cultural events such as concerts held in its Great Hall. In addition, it houses a museum and a basement restaurant.
The town hall was developed over a period of about 250 years, from the end of 13th century to the middle of 16th century. The structure and floor plan changed over this extended period in response to the changing needs of the city. The exact date of the initial construction is not known. However, between 1299 and 1301 a single-storey structure with cellars and a tower called the consistory was built. The oldest parts of the current building, the Burghers’ Hall and the lower floors of the tower, may date to this time. In these early days the primary purpose of the building was trade rather than civic administration activities.
Between 1328 and 1333 an upper storey was added to include the Council room and the Aldermen’s room. Expansion continued during the 14th century with the addition of extra rooms, most notably the Court room. The building became a key location for the city’s commercial and administrative functions.
The 15th and 16th centuries were times of prosperity for Wroclaw as was reflected in the rapid development of the building during that period. The construction program gathered momentum, particularly from 1470 to 1510, when several rooms were added. The Burghers’ Hall was re-vaulted to take on its current shape, and the upper story began to take shape with the development of the Great Hall and the addition of the Treasury and Little Treasury.
Further innovations during the 16th century included the addition of the city’s Coat of arms (1536), and the rebuilding of the upper part of the tower (1558–59). This was the final stage of the main building program. By 1560, the major features of today’s Stray Rates were established.
The second half of the 17th century was a period of decline for the city, and this decline was reflected in the Stray Rates. Perhaps by way of compensation, efforts were made to enrich the interior decorations of the hall. In 1741, Wroclaw became a part of Prussia, and the power of the City diminished. Much of the Stray Rates was allocated to administering justice.
During the 19th century there were two major changes. The courts moved to a separate building, and the Rates became the site of the city council and supporting functions. There was also a major program of renovation because the building had been neglected and was covered with creeping vines. The town hall now has several en-Gothic features including some sculptural decoration from this period.
In the early years of the 20th century improvements continued with various repair work and the addition of the Little Bear statue in 1902. During the 1930s, the official role of the Rates was reduced and it was converted into a museum. By the end of World War II Town Hall suffered minor damage, such as aerial bomb pierced the roof (but not exploded) and some sculptural elements were lost. Restoration work began in the 1950s following a period of research, and this conservation effort continued throughout the 20th century. It included refurbishment of the clock on the east facade.