Basilica of St. Denis, Seine-Saint-Denis, France

The Basilica of Saint Denis is a large medieval abbey church in a northern suburb of Paris. The building is of unique importance historically and architecturally, as its choir completed in 1144 is considered to be the first Gothic church. The site originated as a Gallo-Roman cemetery in late Roman times. The archeological remains still lie beneath the cathedral; the people buried there seem to have had a faith that was a mix of Christian and pre-Christian beliefs and practices. Around 475 St. Genevieve purchased some land and built Saint-Denys de la Chapelle. In 636 on the orders of Dagobert I the relics of Saint Denis, a patron saint of France, were reinterred in the basilica.

The basilica became a place of pilgrimage and the burial place of the French kings, with nearly every king from the 10th to the 18th centuries being buried there, as well as many from previous centuries. Saint-Denis soon became the abbey church of a growing monastic complex.

In the 12th century the Abbot Suger rebuilt portions of the abbey church using innovative structural and decorative features. In doing so, he is said to have created the first truly Gothic building. Before the term 'Gothic' came into common use, it was known as the 'French Style' (Opus Francigenum). The basilica"s 13th-century nave is also the prototype for the Rayonnant Gothic style, and provided an architectural model for cathedrals and abbeys of northern France, England and other countries.

As it now stands, the church is a large cruciform building of 'basilica' form; that is, it has a central nave with lower aisles and clerestory windows. It has an additional aisle on the northern side formed of a row of chapels. The west front has three portals, a rose window and one tower, on the southern side. The eastern end, which is built over a crypt, is apsidal, surrounded by an ambulatory and a chevet of nine radiating chapels. The basilica retains stained glass of many periods (although most of the panels from Suger"s time have been removed for long-term conservation and replaced with photographic transparencies), including exceptional modern glass, and a set of twelve misericords.

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User Reviews

Alison Goodwin (5 months ago)
I have no words ... I was overwhelmed by the aura upon entering. We did the English tour and learned so much. It is late in the evening now and I am still looking back on the beauty, awe, eeriness and sadness. I am so blessed to have visited this Basilica in my lifetime. For those who have a heart, love history or are researching ancestors (my reason) you must visit. xx.

Stéphane Morel (5 months ago)
This basilica is partly free to access and a particularly beautiful example of gothic art. It contains the necropolis of French Kings and Queens that can be visited, but you'll have to pay the entrance (it's free if you're under 26 and from UE). You will see the many gorgeous recumbent statues and royal vaults. It's definitely a historical place you want to visit, and more especially as it's easily accessible with subway line 13 at station "Basilique de Saint-Denis".

Andrew Hess (5 months ago)
Awe inspiring, my favorite place I've been to while in Paris. Must see to appreciate!

Luthe Tucker (6 months ago)
Saint-Denis is much less touristy than its cousin Notre-Dame, but the stained glass is nearly as good and the history is more interesting. I would advise getting the audio guide though because most of the written explanations are in French. I think I missed about 90% of the information because I didn't understand what it meant.

maureen weaver (8 months ago)
A hidden gem. This is the resting place of the kings of France as well as Marie Antoinette. Although a little way out from the sites in the centre of Paris, it is well worth a visit, the Metro takes you to within 2 minutes walk to the Basilica. The stained glass windows reflect the most beautiful coloured light, giving a sense of peace and restfulness. It has a rightful place amongst the other great cathedrals of Paris.

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The Moszna Castle is one of the best known monuments in the western part of Upper Silesia. The history of this building begins in the 17th century, although much older cellars were found in the gardens during excavations carried out at the beginning of the 20th century. Some of the investigators, including H. Barthel, claimed that those cellars could have been remnants of a presumed Templar castle, but their theory has never been proved. After World War II, further excavations discovered a medieval palisade.

The central part of the castle is an old baroque palace which was partially destroyed by fire on the night of April 2, 1896 and was reconstructed in the same year in its original form by Franz Hubert von Tiele-Winckler. The reconstruction works involved an extension of the residence. The eastern Neogothic-styled wing of the building was built by 1900, along with an adjacent orangery. In 1912-1914, the western wing was built in the Neo-Renaissance style. The architectural form of the castle contains a wide variety of styles, thus it can be generally defined as eclectic.

The height of the building, as well as its numerous turrets and spires, give the impression of verticalism. The whole castle has exactly ninety-nine turrets. Inside, it contains 365 rooms. The castle was twice visited by the German Emperor Wilhelm II. His participation in hunting during his stay at the castle was documented in a hand-written chronicle in 1911 as well as in the following year. The castle in Moszna was the residence of a Silesian family Tiele-Winckler who were industrial magnates, from 1866 until the spring of 1945 when they were forced to move to Germany and the castle was occupied by the Red Army. The period of the Soviet control caused significant damage to the castle's internal fittings in comparison to the minor damage caused by WWII.

After World War II the castle did not have a permanent owner and was the home of various institutions until 1972 when it became a convalescent home. Later it became a Public Health Care Centre for Therapies of Neuroses. Nowadays it can be visited by tourists since the health institution has moved to another building in the neighbourhood. The castle also has a chapel which is used as a concert hall. Since 1998 the castle housed a gallery in which works of various artists are presented at regular exhibitions.

Apart from the castle itself, the entire complex includes a park which has no precise boundaries and includes nearby fields, meadows and a forest. Only the main axis of the park can be characterised as geometrical. Starting from the gate, it leads along the oak and then horse-chestnut avenues, towards the castle. Further on, the park passes into an avenue of lime trees with symmetrical canals running along both sides of the path, lined with a few varieties of rhododendrons. The axis of the park terminates at the base of a former monument of Hubert von Tiele-Winckler. On the eastern side of the avenue there is a pond with an islet referred to by the owners as Easter Island. The islet is planted with needle-leaved shrubs and can be reached by a Chinese-styled bridge. The garden, as part of the whole park complex was restored slightly earlier than the castle itself. Preserved documents of 1868 state that the improvement in the garden's aesthetic quality was undertaken by Hubert von Tiele-Winckler.

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