Panthéon was originally built as a church dedicated to St. Genevieve, but after many changes now combines liturgical functions with its role as a famous burial place. It is an early example of Neoclassicism, with afacade modelled after the Pantheon in Rome surmounted by a dome that owes some of its character to Bramante's 'Tempietto'. Among those buried in its necropolis are Voltaire, Rousseau, Victor Hugo, Émile Zola, Jean Moulin, Louis Braille, Jean Jaurès and Soufflot, its architect. Marie Curie is the only woman interred based on her own merits.
King Louis XV vowed in 1744 that if he recovered from an illness he would replace the ruined church of Sainte-Geneviève with an edifice worthy of the patron saint of Paris. The Marquis of Marigny was entrusted with the work. He had sponsored the architect Soufflot, whom he chose for the construction of the new Église Sainte-Geneviève, a major work in the neoclassical style. The overall design was that of a Greek cross with massive portico of Corinthian columns. Its ambitious lines called for a vast building 110 meters long by 84 meters wide, and 83 meters high. No less vast was its crypt.
The foundations were laid in 1758, but due to financial difficulties, it was only completed after Soufflot's death, by his pupil Jean-Baptiste Rondelet, in 1789. As it was completed at the start of the French Revolution, the new Revolutionary government ordered it to be changed from a church to a mausoleum for the interment of great Frenchmen, with a pediment of The Fatherland crowning the heroic and civic virtues by Jean Guillaume Moitte (replaced on the Bourbon Restoration with one by David d'Angers).
Twice since then it has reverted to being a church, only to become again a temple to the great intellectuals of France. In 1851, physicist Léon Foucault demonstrated the rotation of the Earth by his experiment conducted in the Panthéon, by constructing a 67 meter Foucault pendulum beneath the central dome. The original iron sphere from the pendulum was returned to the Panthéon in 1946 from the Conservatoire National des Arts et Métiers. From 1906 to 1922 this was the site of the famous sculpture The Thinker.References:
Augustusburg Palace represents one of the first examples of Rococo creations in Germany. For the Cologne elector and archbishop Clemens August of the House of Wittelsbach it was the favourite residence. In 1725 the Westphalian architect Johann Conrad Schlaun was commissioned by Clemens August to begin the construction of the palace on the ruins of a medieval moated castle.
In 1728, the Bavarian court architect François de Cuvilliés took over and made the palace into one of the most glorious residences of its time. Until its completion in 1768, numerous outstanding artists of European renown contributed to its beauty. A prime example of the calibre of artists employed here is Balthasar Neumann, who created the design for the magnificent staircase, an enchanting creation full of dynamism and elegance. The magical interplay of architecture, sculpture, painting and garden design made the Brühl Palaces a masterpiece of German Rococo.
UNESCO honoured history and present of the Rococo Palaces by inscribing Augustusburg Palace – together with Falkenlust Palace and their extensive gardens – on the World Heritage List in 1984. From 1949 onwards, Augustusburg Palace was used for representative purposes by the German Federal President and the Federal Government for many decades.
In 1728, Dominique Girard designed the palace gardens according to French models. Owing to constant renovation and care, it is today one of the most authentic examples of 18th century garden design in Europe. Next to the Baroque gardens, Peter Joseph Lenné redesigned the forested areas based on English landscaping models. Today it is a wonderful place to have a walk.