The origin of the Paris Catacombs, which it would be better to call “Municipal Ossuary”, goes back to the end of the 18th century. The Cemetery of the Innocents (near Saint-Eustache, in the area of Les Halles) had been in use for nearly ten centuries and had become a source of infection for the inhabitants of the locality. After numerous complaints, the Council of State decided, on November 9th 1785, to prohibit further use of the Cemetery of the Innocents and to remove its contents.
Disused quarries were chosen to receive the remains; the city of Paris had in fact just completed a general inspection of the quarries, in order to strengthen the public highways undermined by them. Building work was done on the “Tombe-Issoire” quarry, using large quantities of stone, strengthening the galleries and completed by digging out a staircase, flanked by a well into which the bones could be thrown.
The transfer of the remains could begin after the blessing and consecration of the site on April 7th 1786, and it continued until 1788, always at nightfall and following a ceremony whereby a procession of priests in surplices sang the service for the dead along the route taken by the carts loaded with bones, which were covered by a black veil. Then, until 1814, the site received the remains from all the cemeteries of Paris.
Since their creation, the Catacombs have aroused curiosity. In 1787, the Count d’Artois, the future Charles X, made the descent, along with Ladies of the Court. The following year a visit from Madame de Polignac and Madame de Guiche is mentioned. In 1814, Francis I, the Emperor of Austria living victoriously in Paris, visited them. In 1860, Napoleon III went down with his son.
The Paris Catacombs re-opened on June 14th 2005, after several months of closure for building work. The lighting has been adjusted, the vaults strengthened and the walls of bones put back.References:
Claude Monet lived for forty-three years, from 1883 to 1926, in Giverny. With a passion for gardening as well as for colours, he conceived both his flower garden and water garden as true works of art. Walking through his house and gardens, visitors can still feel the atmosphere which reigned at the home of the Master of Impressionnism and marvel at the floral compositions and nymphéas, his greatest sources of inspiration.
In 1890 Monet had enough money to buy the house and land outright and set out to create the magnificent gardens he wanted to paint. Some of his most famous paintings were of his garden in Giverny, famous for its rectangular Clos normand, with archways of climbing plants entwined around colored shrubs, and the water garden, formed by a tributary to the Epte, with the Japanese bridge, the pond with the water lilies, the wisterias and the azaleas.
Today the Monet's Garden is open to the public.