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Founded: 1397Category: Religious sites in Germany
Historical period: Habsburg Dynasty (Germany)
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Ahrensbök Charterhouse was a former Carthusian monastery or charterhouse established in 1397. The estates with which it was endowed reached as far as Scharbeutz on the Bay of Lübeck.
During the Reformation the monastery was secularised, and with its estates fell into the hands of John II, Duke of Schleswig-Holstein-Sonderburg, in 1584, who had the buildings demolished.
The building materials were used between 1593 and 1601 for the construction of the castle in Ahrensbök, Schloss Hoppenbrook, which was the principal residence between 1623 and 1636 of the ruler of the newly formed Duchy of Schleswig-Holstein-Sonderburg-Plön while Duke Joachim Ernst I's new castle in Plön was under construction. Once Schloss Plön was finished, the ducal residence was moved there from Ahrensbök, leaving Schloss Hoppenbrook as a secondary residence.
After the death there in 1740 of Duchess Juliane Luise, widow of Joachim Frederick, Duke of Schleswig-Holstein-Sonderburg-Plön, Schloss Hoppenbrook was demolished. The Rathaus of Ahrensbök now stands on its site, in a park in which ditches from the previous castle complex can still be made out.
The only surviving building from the time of the Carthusians is the Brick Gothic St. Mary's church - Marienkirche - which in fact was begun in the first quarter of the 14th century and thus predates the monastery itself: when the charterhouse was established it was taken over for use as the monastery church. It was extended several times, and in 1400 the polygonal quire was added. The tower, with an inscribed sandstone tablet over the portal, was not added until 1761.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.