Heidelberg Castle is a famous ruin and one of the the most important Renaissance structures north of the Alps. The rich and eventful history of Heidelberg Palace began when the counts palatine of the Rhine, – later prince electors – established their residence at Heidelberg. The earliest castle structure was built before 1214 and later expanded into two castles circa 1294; however, in 1537, a lightning-bolt destroyed the upper castle. Until the Thirty Years’ War, Heidelberg Palace boasted one of the most notable ensembles of buildings in the Holy Roman Empire. The present structures had been expanded by 1650, before damage by later wars and fires. In 1764, another lightning-bolt caused a fire which destroyed some rebuilt sections.
The 19th century brought a new wave of admiration: a sight both terrible and beautiful, the ruins epitomised the spirit of the Romantic movement. Heidelberg Palace was elevated to a national monument. The imposing edifice and its famous garden, the Hortus Palatinus, became shrouded in myth. The garden, the last work commissioned by the prince electors, was never completed. Some remaining landscaped terraces and other vestiges hint at the awe-inspiring scale of this ambitious project. In the 17th century, it was celebrated as the “eighth wonder of the world”. While time has taken its toll, Heidelberg Palace’s fame lives on to this day.
Heidelberg Castle is located 80 metres up the northern part of the Königstuhl hillside, and thereby dominates the view of the old downtown. Set against the deep green forests on the north flank of Königstuhl hill, the red sandstone ruins tower majestically over the Neckar valley.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.