Hohentwiel fortress, whose ruins lie on top of extinct volcano Hohentwiel, was constructed in 914 using stone taken from the mountain itself by Burchard III, Duke of Swabia. Originally, the Monastery of St. Georg was contained within the fortress, but in 1005 it was moved to Stein am Rhein (now in Switzerland), and the Swabian dukes lost control of Hohentwiel. In the later Middle Ages the noble families von Singen-Twiel (12th–13th centuries), von Klingen (to 1300) and von Klingenberg (to 1521) resided here. In 1521, it was passed on to Duke Ulrich von Württemberg, who developed Hohentwiel into one of the strongest fortresses of his duchy. During this time, it began to be used as a prison and in 1526, Hans Müller von Bulgenbach, a peasant commander, was imprisoned there prior to his execution.
The fortress resisted five Imperial sieges in the Thirty Years' War, under the command of Konrad Widerholt between 1634 and 1648. The effect was that Württemberg remainded protestant, while most of the surrounding areas returned to catholicism in the Counterreformation. The castle served as a Württemberg prison in the 18th century and was destroyed in 1800 after being peacefully handed over by the French.
Today the former fortress Hohentwiel is one of the biggest castle ruins of Germany. Hohentwiel’s imposing ramparts and casemates, its fallen towers and defiant ruins, still evoke the military might of this once-invincible fortress. The surrounding volcanic crags are a now a nature reserve, offering a unique habitat to many rare species of flora and fauna. Today, more than 80,000 visitors a year come to admire this special place. The modern city of Singen nestles at the foot of the mountain.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.