The Lion's Mound is a large conical artificial hill in Braine-l'Alleud. King William I of the Netherlands ordered its construction in 1820, and it was completed in 1826. It commemorates the location on the battlefield of Waterloo where a musket ball hit the shoulder of William II of the Netherlands (the Prince of Orange) and knocked him from his horse during the battle. It is also a memorial of the Battle of Quatre Bras, which had been fought two days earlier, on 16 June 1815.
A statue of a lion standing upon a stone-block pedestal surmounts the hill. Jean-François Van Geel (1756–1830) sculpted the model lion, which closely resembles the 16th-century Medici lions. The lion is the heraldic beast on the personal coat of arms of the monarch of The Netherlands, and symbolizes courage.
Its right front paw is upon a sphere, signifying global victory. William Cockerill's iron foundry in Liège cast the lion, in sections; a canal barge brought those pieces to Brussels; from there, heavy horse-drays drew the parts to Mont-St-Jean, a low ridge south of Waterloo.
There is a legend that the foundry melted down brass from cannons that the French had left on the battlefield, in order to cast the metal lion. In reality, the foundry made nine separate partial casts in iron, and assembled those components into one statue at the monument site.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.