The Museum im Kulturspeicher Würzburg is a municipal art museum opened in 2002 within a converted river-side warehouse that provides 3,500 m² of exhibit space in 12 rooms. It contains two distinct collections: the municipal art collection, founded in 1941 as the Städtische Gallerie and originally located in Hofstraße; and the Peter C. Ruppert Collection of European concrete art from World War II to the present day.
The municipal collection exhibits regional art, primarily from Franconia and Southern Germany, ranging from Biedermeier-style portraits and landscapes of the first half of the 19th century, through German impressionism and painters of the Berlin Secession, including Robert Breyer, Philipp Franck, Walter Leistikow, Joseph Oppenheimer, and Max Slevogt, as well as members of the Weimar Saxon-Grand Ducal Art School including Ludwig von Gleichen-Rußwurm and Franz Bunke. It also includes works by Bauhaus painter Hans Reichel and works from the estate of sculptor Emy Roeder, as well as about 30,000 graphics works.
The Ruppert collection includes concrete art from 22 European countries, incorporating a broad spectrum of materials and media, exhibited within six galleries. Artists include Max Bill, John Carter, Andreas Christen, Ralph Eck, Christoph Freimann, Gerhard von Graevenitz, Erwin Heerich, Malcolm Hughes, Norbert Kricke, Richard Paul Lohse, Maurizio Nannucci, Nausika Pastra, Henry Prosi, Bridget Riley, Peter Sedgley, and Anton Stankowski.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.