Gars Abbey was founded in 768 by the cleric Boso from Salzburg for Tassilo III, Duke of Bavaria. For centuries it belonged to the archbishopric of Salzburg. The Augustinian Canons erected the present monastery building after 1122. In 1128 Bishop Conrad I of Salzburg transferred the monastery to the Augustinian Canons.
In 1648 the Swedes pillaged and devastated the town and the monastery. Under Provost Athanasius Peitlhauser the monastery was rebuilt between 1657 and 1659. The monastery wings and the Church of the Assumption were renovated by Italian artists to their present form. The pilaster church was rebuilt after 1661, one of the first Baroque churches in the region. The painted cast stone Pieta on a side altar dates from 1430, and was formerly the main altar of the church. The monastery is interesting for the relics of the martyr Felix. Ceiling paintings and an altar show the importance of this saint to the monastery.
In 1803 the Augustinian Canons were expelled as part of the Bavarian secularization program. The buildings and inventory were sold to private individuals. In 1855 the Redemptorists showed an interest in Gars Monastery, and in 1858 they formally re-opened the monastery. Between 1873 and 1894 under the Kulturkampf only three fathers and brothers were allowed to remain. After the monastery was restored in 1894 the first missionaries were sent to Brazil.
As of 2013 the monastery housed about 16 brothers and 13 priests. The brothers follow various professions including work as bakers, butchers, gardeners, carpenters and tailors. The Fathers work as ward missionaries, helping in the surrounding communities and in education. The monastery has a plant nursery that is well known in the region.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.