The Basilica of St Peter and St Paul is a neo-Gothic church in Vyšehrad fortress. Originally founded in 1070-1080 by the Czech King Vratislav II, the Romanesque basilica suffered a fire in the year 1249 and has been rebuilt in Gothic and later in neo-Gothic style. The basilica features an impressive stone mosaic above its entry, and its twin 58 m towers can be seen atop a hill to the south from along the Vltava River in central Prague.
The current building itself is a neo-Gothic basilica constructed between 1885 and 1903. The main part of the church consists of a nave with two side aisles; a large choir, sanctuary and apse; and two side rooms which hold a sacristy and a chapel for Panna Maria Šancovská Our Lady of the Ramparts.
History is the dominant element thematically of the interior décor; the history of art, Christianity and the Czech lands are all aspects of the decoration. As a piece of art history the church is something of an exhibition of Gothic, art nouveau and even Baroque pieces.
Along with the design of the building the main altar, the pulpit, and all the smaller altars in the side chapels are neo Gothic as well. They are intricately carved with mini-spires and tracery throughout. Even the organ which sits above the entrance has hollow spires matching those of the western towers. In addition, each chapel contains Gothic revival paintings. The theme of the stained glass windows is the history of Gothic architecture; each window portrays Jesus before a different Gothic or neo-Gothic church. Completing the tribute to the Gothic style is a large fresco at the eastern end of the northern aisle of the first Gothic church to stand on the spot.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.