Due to its excellent strategic location, Socerb Castle was already an important stronghold in Illyrian times, while in the Middle Ages, it became a mighty and well-fortified castle controlling the Trieste hinterlands and the commercial routes between Carniola and the coast. The castle has an exceptionally rich and turbulent history that can be traced from the Early Middle Ages to 1780 when it was struck by lightning, rendering it uninhabitable. Its important strategic position made it a cause of fights between the Venetians, Trieste and the Habsburg Monarchy. It was owned by the Venetians from 1463 to 1511 when it was an important stronghold serving as defence against the Turks and Imperial Austria in the Austro-Venetian wars from the early 16th century.
In the early 17th century, during the Uskok War (1615-1617), the Castle was owned by Benvenuto Petazzi, a nobleman from Trieste. The Counts of Petazzi kept their sway over Socerb until 1688, when they returned it to the Archducal Chamber in Graz and moved to Žavlje. In the first half of the 18th century, the Socerb Seigniory came under the Marquises de Priè and was bought in 1768 by the Counts Montecuccoli from Modena who kept it even after releasing the peasants in 1848.
The results of a fire caused by lightning in 1780 caused the castle to slowly start deteriorating in the 19th century. The castle ruins and the nearby cave were described by Count Giroloamo Agapito in 1823 and painted by August Tischbein in 1842. The dilapidated castle was bought in 1907 by Demetrio Economo, a Trieste Baron, who refurbished it in 1923-1924 concentrating mainly on restoring the surrounding walls whilst other remains were removed.
During the national liberation war, the castle’s excellent strategic position made it important for both the partisans, who used it as the seat of the VOS (Security-Intelligence Service), and the people’s court, as well as for German units who occupied it in autumn of 1944, making it a fortified stronghold. The castle was refurbished after the war and today serves as a popular excursion destination with its natural and cultural sights offering food and services to tourists.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.