The Church of Saint-Bruno des Chartreux is the only Baroque church in Lyon. The first monastic communities here were established by Carthusian monks from Grenoble, thanks to their good relations with the church in Lyon. They initially came to help the clergy of Lyon when the city was pillaged by Forez Guy in the 12th century and later obtained privileges such as an exemption from tolls on their journeys to Lyon. On a visit by King Henri III in August 1584, however, two Carthusian monks were presented to request him to grant his consent to the foundation of a Carthusian monastery in Lyon. They were successful, and the king also pledged 30,000 livres for its construction (though he never paid them). In 1589, Henri III died and was succeeded by Henri IV, who declared himself the founder of the Carthusian monastery and confirmed its exemptions and privileges, which were reconfirmed by Louis XIII and Louis XIV.
It took six years after the king's gift for the first stone of the church to be laid. Its construction was carried out in two phases: the first (1590-1690) included the choir, the small cloister, the sacristy and a few of the monks' cells; the second (in the 18th century) involved the completion of the nave, the transept and the side chapels. Finally, renovations and extensions occurred during the 19th century, mainly affecting the chapels and façade.
The choir now has only 5 windows, after several were blocked up during the second phase of works by the architect Ferdinand-Sigismond Delamonce in 1733-37. The Rococo stalls found here show reversed volutes and garlands of foliage as well as asymmetrical shells and garlands of flowers.
Typical of the 17th century Baroque style, the 1628 statues now located on the pilasters of the Munet arch were originally in the choir. They are by Sarazin and represent Saint Bruno of Cologne and Saint John the Baptist. The drapery of these figures is dynamically carved, and their thin faces and tense eyes add to their pathetic expressions.
Today the church organ is also located in the choir, but the church has only had one since 1890, when it became a parish church. It is now known as the best of the double keyboards in Lyon. Before 1890 the austerity of the Carthusian Rule made for an austere liturgy unadorned by organ music.
Built to hold the book of liturgical chants, the pulpit is in the shape of a spread-eagle (symbol of the Word of God) supported by a column carved with the Eucharistic symbols of grapes and vines, and rooted in a base with the figure of a dove (symbol of the Holy Spirit). It thus unites the three persons of the Holy Trinity.
Designed in the 18th century by Servandoni then modified very soon afterwards by Soufflot, the altar is notable for being two-sided, meaning that the office could equally well be celebrated from the monks' side or from the peoples' side.References:
The Castle of Gruyères is one of the most famous in Switzerland. It was built between 1270 and 1282, following the typical square plan of the fortifications in Savoy. It was the property of the Counts of Gruyères until the bankruptcy of the Count Michel in 1554. His creditors the cantons of Fribourg and Bern shared his earldom. From 1555 to 1798 the castle became residence to the bailiffs and then to the prefects sent by Fribourg.
In 1849 the castle was sold to the Bovy and Balland families, who used the castle as their summer residency and restored it. The castle was then bought back by the canton of Fribourg in 1938, made into a museum and opened to the public. Since 1993, a foundation ensures the conservation as well as the highlighting of the building and the art collection.
The castle is the home of three capes of the Order of the Golden Fleece. They were part of the war booty captured by the Swiss Confederates (which included troops from Gruyères) at the Battle of Morat against Charles the Bold, Duke of Burgundy in 1476. As Charles the Bold was celebrating the anniversary of his father's death, one of the capes is a black velvet sacerdotal vestment with Philip the Good's emblem sewn into it.
A collection of landscapes by 19th century artists Jean-Baptiste-Camille Corot, Barthélemy Menn and others are on display in the castle.