Above the compact Piran town centre reigns St. George's Cathedral, which gives the city its special character. It was probably built in the 12th century, but no exact data in this regard exists.
In the 14th century, it was built to its present size. In the year 1344, on the Day of St. George, the cathedral was consecrated by nine bishops from near and far. It acquired its present appearance after Baroque renovation in the year 1637. The Bell Tower was completed in 1608, and the Baptistery in the year 1650. During these years, reinforcements were made to the hill on which the cathedral rests.
The supporting walls were built in the year 1641, and on the sea side, the hill was fortified with stone arches. The construction of the stone arches began in the year 1663 and lasted until 1804. They were seriously dilapidated due to the effects of erosion, and thus had to be reconstructed and restored in 1998.
In the year 1737, St George's Cathedral acquired seven marble altars. Of the preserved works of art, the two sculptures of St. George are particularly worth seeing. The larger one is from the 17th century and is the work of an unknown sculptor. The smaller one is silver-plated and was made by a Piran-based goldsmith's workshop. The wall paintings are the work of the Venetian school. The two big paintings (Mass in Bolsena and St. George's Miracle) date from the beginning of the 17th century and were painted by Angelo de Coster.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.