The New Cathedral (Mariä-Empfängnis-Dom) construction plans were started in 1855 by Bishop Franz-Josef Rudigier. The first stone was laid in 1862. In 1924 Bishop Johannes Maria Gföllner consecrated the finished building as the Cathedral of the Immaculate Conception. The plans, drawn by the master builder of the Archdiocese of Cologne, Vincenz Statz, were made in the French high Gothic style.
With 20,000 seats, the cathedral is the largest (130 meters long, and the ground 5,170 square meters), but not the highest, church in Austria. The originally-planned, higher spire was not approved, because in Austria-Hungary at the time, no building was allowed to be taller than the South Tower of the St. Stephen's Cathedral in Vienna. At 135 m, the New Cathedral is two meters shorter than the Viennese cathedral.
Particularly noteworthy are the cathedral's stained-glass windows. The most famous is the Linz Window, which depicts the history of Linz. The windows also contain portraits of the various sponsors of the church's construction. During the Second World War some windows, particularly in the southern part of the cathedral, were damaged. Instead of restoring the original windows, they have been replaced with windows displaying modern art. Also noteworthy is the nativity scene in the church burial vault, with its figures made by S. Osterrieder, and the display of the regalia of Bishop Rudigier.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.