Villa Serego was built for the aristocratic Sarego family, and designed by Andrea Palladio. The villa is distinctive for its use of rusticated columns of the Ionic order.
The villa was commissioned by the Venetian nobleman Marcantonio Sarego for an estate which came into his possession in 1552. A rough date for its execution is c. 1560-1570. In 1857 further construction took place, which makes the villa appear finished but does not fully respect the original design.
Two limestone sculptures stand surrounded by semi-circular hedges in front of the villa. They appear to be the deities Diana (with attributes of the hunt) and Apollo (holding a harp), symbolic of the villa being both a rural retreat and a refuge for culture and beauty.
The villa is built around a courtyard, which is derived from the atrium of Roman villas. Palladio was familiar with such designs from his researches into Roman architecture, but courtyards are rare in his own buildings. The colossal columns of the courtyard are executed in a rough aesthetic - Palladio refers to them being made of 'non polite' stone. Although ultimately derived from ancient Roman buildings, the columns are reminiscent of mannerist design and have features found in the architecture of Verona.
In 1996 UNESCO included the villa in the World Heritage Site 'City of Vicenza and Palladian Villas of the Veneto'. It is not open to the public.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.