Gorizia Castle is built on the hill which dominates the city of Gorizia. The construction can be dated to around 1146, where, for the first time, the title of Count of Gorizia appears, given to Henry IV of Spanheim, which presumes the presence of a fortification on site.
It is likely that an initial series of defensive structures such as a small motte-and-bailey fort with a moat and a palisade which had preceded the construction of a stone tower or keep, which was further expanded during the 13th century, with the addition of a mansion and a two-storey building. During the same period there was certainly a hamlet outside of the palisade, also outfitted with a defensive barrier and composed of houses mandatorily built in masonry, an enforcement given to the residents together with the duty of defending the castle in case of attack.
The first representation of the castle dates back to 1307, imprinted on the seal allowed to the city by Albert II.
At Leonhard's death, the last count of Gorizia, which occurred in 1500, the feud and Gorizia Castle became properties of Maximilian I of Habsburg, emperor of the Holy Roman Empire; which, while reinforcing its defences, lost the fortification and the territory in 1508, and they were obtained by the Republic of Venice, which claimed the succession of the county.
Under the 'Serenissima', the castle had further fortification works to make it more appropriate to the Renaissance warfare, which incorporated the use of firearms. Among the various changes made, the 11th-century keep was demolished. However, Venice only managed to occupy the territory for thirteen months, until June 1509.
In the following century, the castle was used as a prison and as a barracks, and lost its medieval appearance. In the 13th century it was further expanded with bastions, powder kegs and walls. The construction of some of these works was supervised by mathematician and astronomer Edmond Halley.
The castle was damaged during the bombings in the First World War, and underwent a philological restoration between 1934 and 1937 by the architect Ferdinando Forlati, with the help of military engineers and the supervision of the Belle Arti of Trieste. It was decided to return to a medieval look of the castle and discard the white plastering that the building had acquired during the Renaissance.
The castle now houses the Museum of the Middle Ages of Gorizia. The interiors are decorated with original furniture and furnishings, and reproductions of weapons and siege engines are shown. In the central courtyard it is still possible to see the remains of the old 11th-century tower. Above the entrance there is a statue of the Lion of Saint Mark, symbol of the Serenissima. Although dating back to the 16th century, it was never used because of the brief Venetian domination, until 1919, when it was placed in its current location. On the hill around the castle there is a public park.References:
The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.
The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.
Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.
In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.
The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.
In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.
After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.
In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.
Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.
In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.
In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.