The Church of John the Baptist (Johanniskirche) is the oldest Lutheran church in Lüneburg, Germany. The church is considered an important example of northern German Brick Gothic architecture. The five-naved hall church was erected between 1300 and 1370 and repaired in 1420. In the early 15th century Conrad of Soltau, as Conrad III Prince-Bishop of Verden, failed to make St. John's the new cathedral of his see, since the city council and the Prince of Lüneburg resisted that fearing the political interference of another power. The outer structure was marked by rebuilding in 1765. Particularly striking is the lightly sloping steeple, which at a height of 108 meters is the highest church steeple in Lower Saxony. The stained-glass in the Elisabeth Chapel was made by Charles Crodel in 1969.
The church's organ was finished in 1553 by Hendrik Niehoff and Jasper Johansen and rebuilt in 1714 by Arp Schnitger student, Matthias Dropa and in the latter 20th century by Rudolf von Beckerath.
The 108-meter-high spire of the church looks as though it is sloping from each side: the truss on the upper part is twisted into a corkscrew shape. A legend states that when the master builder noticed the mistake, he fell from an upper window in the church tower; however, he landed on a passing haywagon, so he lived. Feeling that he had been vindicated by God, the master went into a local tavern to celebrate. After a few too many drinks he leaned back in his chair and fell over. As he fell he hit his head on the stone hearth of the fireplace and was killed.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.