Lousonna was a Gallo-Roman port during Roman times. The port town was important for commerce with links on Lake Geneva to Roman towns such as the present-day Geneva, Nyon, and Villeneuve.
However, during Roman times, Lausanne was never of political or military importance. Although borders shifted, Lausanne was mostly a backwater at the southern most parts of Germania, ruled from Mainz. Political and military power in the region was concentrated in Avenches and Yverdon-les-Bains.
From the fourth century onwards, Lausanne gradually moved uphill to higher grounds with the Roman port town eventually abandoned. Today, the Roman ruins are some way from the lakeshore, as the level of Lake Geneva was permanently lowered during the nineteenth century. The immediate area is used for various sport facilities and a great area for outdoor activities and strolls along the shores of the lake.
The Musée Romain in Lausanne-Vidy is a fairly small museum on Roman history. The ground floor of the museum, which is built over the foundations of a Roman villa, is used for temporary exhibitions. These exhibitions can cover much more than just the Roman era. As this area is half the museum, the theme and quality of the display very much influence whether the museum is worth visiting at all. Fortunately, the displays are generally excellent and manage to link historic themes well with the present day.
A short walk from the Roman Museum – pass underneath the highway towards the lake – is the Lausanne Roman Archaeological Park. Here many Roman foundations have been uncovered. Visitors can freely explore the archaeological park. Information tables explain the Roman town layout and buildings. The temple was a good 71 m long but the antique port wall is probably the more impressive.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.