The Basilica Notre-Dame of Geneva is the main Roman Catholic church in Geneva. The church was built according to the design of Alexandre Grigny between 1852 and 1857 on the site of a former stronghold fortifications. This neo-Gothic building, whose appearance is partly inspired by the Beauvais Cathedral, could break ground thanks to the city of Geneva, which had ceded land to religious communities to build places of worship, and through donations and manual labor provided by the Geneva Catholics.
After the coming to power of an anti-clerical government, Notre Dame was occupied on June 5, 1875 and closed. This occupation is accompanied by a protest against the Roman Catholic and more unrests. The commitment of Catholics to this sanctuary becomes even greater. Notre-Dame was bought by the Catholic Church in 1911–1912.
On December 5, 1954, Bishop François Charrière, diocesan bishop, pronounced in the name of Pope Pius XII the elevation of the shrine to the rank of minor basilica.
The oldest art works of the basilica date back to the time immediately preceding the Protestant Reformation like a carved wood panel with bas-relief image of the Virgin Mary, mutilated with an ax by Protestants.
The stained glass windows of the basilica are particularly remarkable. Some are semi-industrial production neo-gothic, but most show the evolution of the art of stained glass during the twentieth century, in various styles, after those of Claudius Lavergne (installed from 1857 to 1875).
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.