The Munot is a circular 16th century fortification in the center of the Swiss city of Schaffhausen. It is surrounded by vineyards and serves as the city's symbol. The earliest presence of a castle on a round hill above the river goes back to 1379, but not much is known about the earlier fort. The castle seen today dates in the 16th century at the height of the city’s commercial power, built in a relatively short time between 1564 and 1589. The castle name comes from the middle high German “Annot” meaning without danger, transformed into Munot.
The Munot Fortress was never a residence and its short useful life means it remains nearly exactly as it was built, a relatively pure castle of the Renaissance. Its most distinctive features ar the cavernous camponiere galleries in the foundation, upon entering the castle from below, and walking the winding stone path up the turret. A single large round tower rises from the open stone upper platform with views out to the Rhine past the Roman Turret, which takes its name from its style, rather than from its period, and the surrounding Emmersberg hills. Fallow Deer were introduced to the fortress moat in 1905, and can still be viewed grazing happily undisturbed on the grass below the stone walls.
The Munot Fortress of Schaffhausen is one of the city’s tourist landmarks and the site of many city festivals and events, including a children’s festival and open air cinema shows.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.