Residing over Plaza del Mercado Grande, San Pedro projection is similar to that of the Basilica of San Vicente. The monarchs swore their respect for the charters of Castile in the atrium of the church, which underlines its importance during the period in which the town achieved its greatest relevance in the world of politics.
San Pedro has a Latin-cross layout with a central nave that is larger than the side naves. Its construction began in the second quarter of the 12th century and was completed in the 13th century after a period in which the work was stopped. The architecture and decoration shows an evolution of particular interest as a result of the delays in the construction work.
It has a triple upper end with an apse on each nave and a magnificent collection of sculptures showing plant, animal and geometric motifs and scenes from the Bible. The ceilings were covered with barrel and groined vaults in the 13th century. Over time, the arches became forerunners to those used in the Gothic period. Finally, a tower was built on the place where the central nave intersects with the transept.
The main front has two bodies: the upper body is dominated by a large rose window and the lower body has a porch in which the size of the entrance is magnified by six plain archivolts. The southern porch is similar but smaller in size. The northern entrance is more ornamental and moulded with five archivolts, two of which are decorated with typical Ávila-style rosettes.The interior stands out thanks to the panels distributed around the walls of the nave, the Renaissance-style altars and the altarpiece in the main chapel, together with its grilles.It was designated a National Monument in 1914.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.