San Pedro Church, Ávila, Spain - SpottingHistory.com

Residing over Plaza del Mercado Grande, San Pedro projection is similar to that of the Basilica of San Vicente. The monarchs swore their respect for the charters of Castile in the atrium of the church, which underlines its importance during the period in which the town achieved its greatest relevance in the world of politics.

San Pedro has a Latin-cross layout with a central nave that is larger than the side naves. Its construction began in the second quarter of the 12th century and was completed in the 13th century after a period in which the work was stopped. The architecture and decoration shows an evolution of particular interest as a result of the delays in the construction work.

It has a triple upper end with an apse on each nave and a magnificent collection of sculptures showing plant, animal and geometric motifs and scenes from the Bible. The ceilings were covered with barrel and groined vaults in the 13th century. Over time, the arches became forerunners to those used in the Gothic period. Finally, a tower was built on the place where the central nave intersects with the transept.

The main front has two bodies: the upper body is dominated by a large rose window and the lower body has a porch in which the size of the entrance is magnified by six plain archivolts. The southern porch is similar but smaller in size. The northern entrance is more ornamental and moulded with five archivolts, two of which are decorated with typical Ávila-style rosettes.The interior stands out thanks to the panels distributed around the walls of the nave, the Renaissance-style altars and the altarpiece in the main chapel, together with its grilles.It was designated a National Monument in 1914.

References:

Ávila Tourism

User Reviews

86Maiteg (8 months ago)
It is located in the Plaza de Sta Teresa or the Mercado Grande. In front of one of the entrances of the wall. Being such an important square in the city, it is almost impossible not to see this church.

M. 1985 (16 months ago)
Located in the Plaza del Mercado Grande, in front of the Puerta del Alcázar. She is beautiful both inside and out. Inside, the austere ornamentation contrasts with the interesting set of paintings and altarpieces. Free entrance

José María Torres Martín (2 years ago)
Jewel of Avila Romanesque

Rafael Puñales (3 years ago)
Una joya del Románico español. Impresiona su fachada principal, con su austeridad arquitectónica y decorativa, pero deslumbrante en sus materiales constructivos. Orientada hacia el Oeste, y construida con piedra en tonos amarillos, se vuelve de un color dorado intenso cada atardecer de los días centrales del verano, para ofrecer una luz perfecta a cualquier fotógrafo con sensibilidad.

Marcos Rueda (3 years ago)
Preciosa iglesia en el centro de Ávila dedicada a San Pedro Apostol. Ubicada en la plaza de Santa Teresa es un templo románico dónde destaca un gran rosetón sobre la fachada. El conjunto está rodeado de un espacio ajardinado y enlosado. Ha sido declarado como Bien de Interés Cultural.

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Historic Site of the week

Saint-Eustache

The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.

The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.

According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.

The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.

The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.

With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.

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