Svaneholm Castle (Svaneholms slott) was initially erected in the 1530s by the Danish knight and royal advisor Mourids Jepsen Sparre. Original murder-holes in the oldest castle walls are still preserved.
During the Middle Ages the residence was called Skurdorp (Skudrup), which was fortified and situated next to the parish church, where remains still can be seen. During the mid-15th century it was owned by guardsman Henning Meyenstorp (Meinstrup) and through marriage it later came to the possession of the Sparre-family. Approximately 1530 the residence was moved from Skurup to an islet in the Lake Svaneholmssjön, after that it was called Svaneholm. Through inheritance and purchase Svaneholm Castle came to the possession of Prebend Gyllenstierna in 1611.
At the death of his great-grandson Axel Gyllenstierna in 1705, the castle went to the nephew Axel Julius Coyet via testament, but 1723 his aunt Sofie Gyllenstiernagained half of the properties via trial. Her half was 1751 bought by baron Gustaf Julius Coyet. 1782 it was inherited by Coyet's nephew, baron Rutger Maclean — "The reformer of Scanian agriculture". At Maclean's death in 1816, Svaneholm Castle was inherited by his nephew Kjell Christoffer Bennet and his three siblings, 1839 it was sold to chamberlain Carl Johan Hallenborg and belonged to his son and grandchild until 1902 when it was redeemed bycount Carl Augustin Ehrensvärd, married to a Miss Hallenborg.
A year after the death of Ehrensvärd in 1934, Svaneholm Castle, the park, the garden, most of the lake and the surrounding forest was purchased by the Svaneholm Castle Cooperative Society. The castle now houses a museum run by Wemmenhög Hundred's Momuments and Home District Society.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.