Movilla Abbey is believed to have been one of Ulster's and Ireland's most important monasteries. It was founded in 540 by St. Finnian (d. 579) under the patronage of the king of the Dál Fiatach. It survived as a place of Christian witness for over a thousand years, until the Dissolution of the Monasteries in 1542. The name Movilla is an Anglicized form of the Irish magh bile, which means “the plain of the ancient tree”, so called because on the site where the abbey was built, pagans had previously worshipped a sacred tree.
Finnian's legacy ensured that Movilla Abbey flourished. By the seventh century, it had become one of the greatest monasteries in Ireland - a thriving centre of Celtic Christianity, a community of worship, prayer, study, mission and trade. The Abbey's reputation was enhanced by virtue of the fact it had a complete copy of the Bible, which Finnian had obtained from Rome.
Movilla began to decline after it was sacked by the Danes in 823, and was united with Bangor Abbey in the tenth century. It was somewhat revitalized in 1135 when St. Malachy of Armagh established a group of Augustinians in the abbey, but it never recovered its former glory. In 1306 the monastery at Movilla had one of the lowest valuations of church property in the area, at two and a half marks. Movilla was so poor that the ruling Anglo-Normans had no interest in taking it over and left Irishmen as abbots.
The abbey was dissolved by Henry VIII in 1542. During the reign of Elizabeth I, Brian O’Neill, chief of the O'Neills of Clandeboye, burned Movilla, along with other abbeys in the Ards in his campaign to prevent the English from using Irish abbeys for their military garrisons.
Nothing visible remains today of Finnian's Celtic Abbey. What ruins still standing are those of the (15th century) Augustinian church, which comprises two gables, placed about 150 feet apart. In the east wall, there once was a three-light window, two of which have largely been blocked up. The third window remaining is Romanesque in style. At the top of the arch are two small carved heads. In the west wall are two lights with trefoil heads and transoms showing signs of tracery.References:
The Château de Chaumont was founded in the 10th century by Odo I, Count of Blois. The purpose was to protect his lands from attacks from his feudal rivals, Fulk Nerra, Count of Anjou. On his behalf the Norman Gelduin received it, improved it and held it as his own. His great-niece Denise de Fougère, having married Sulpice d'Amboise, passed the château into the Amboise family for five centuries.
Pierre d'Amboise unsuccessfully rebelled against King Louis XI and his property was confiscated, and the castle was dismantled on royal order in 1465. It was later rebuilt by Charles I d'Amboise from 1465–1475 and then finished by his son, Charles II d'Amboise de Chaumont from 1498–1510, with help from his uncle, Cardinal Georges d'Amboise; some Renaissance features were to be seen in buildings that retained their overall medieval appearance. The château was acquired by Catherine de Medici in 1550. There she entertained numerous astrologers, among them Nostradamus. When her husband, Henry II, died in 1559 she forced his mistress, Diane de Poitiers, to exchange Château de Chaumont for Château de Chenonceau which Henry had given to de Poitiers. Diane de Poitiers only lived at Chaumont for a short while.
Later Chaumont has changed hands several times. Paul de Beauvilliers bought the château in 1699, modernized some of its interiors and decorated it with sufficient grandeur to house the duc d'Anjou on his way to become king of Spain in 1700. Monsieur Bertin demolished the north wing to open the house towards the river view in the modern fashion.
In 1750, Jacques-Donatien Le Ray purchased the castle as a country home where he established a glassmaking and pottery factory. He was considered the French "Father of the American Revolution" because he loved America. However, in 1789, the new French Revolutionary Government seized Le Ray's assets, including his beloved Château de Chaumont.
The castle has been classified as a Monument historique since 1840 by the French Ministry of Culture. The Château de Chaumont is currently a museum and every year hosts a Garden Festival from April to October where contemporary garden designers display their work in an English-style garden.