Quintin Castle is one of the very few occupied Anglo-Norman castles in Ireland. The castle was built by John de Courcy in 1184 and it was later occupied by the Savage family and their dependents, the Smiths. In the 17th century Sir James Montgomery, then living at Rosemount, Greyabbey, purchased the Quintin estate from Dulaltaigh Smith. His son William, built a walled courtyard and other smaller towers, a large house adjacent to the central tower and a great kitchen to the seaward side of the castle structure. They then re-roofed the castle and added new floors, all probably before 1659.
The Montgomerys sold the castle to George Ross, but he never lived in the castle, allowing it to become a near ruin. While he lived in The Mount Ross estate a few miles outside of Portaferry. In the early 19th century the castle was inherited by Elizabeth Calvert, a descendant of Ross, and restored in 1850. The central keep was raised, a walkway made within the battlements, a drawing room opened into the inner gardens, and a dining room constructed on the lowest floor of the great tower. Most of the grounds were also enclosed by a massive stone wall.
Eventually the estate was purchased by the Burgess family, who lived in Quintin from the early 1930s until the 1950s. Skeets Martin, an auctioneer from Belfast, and his wife, then occupied the castle until the early 1970s. In 1978 the castle was opened as a private old people's home, which it remained for many years until sold into private ownership. The castle has been extensively refurbished by McGimpsey and Kane Builders, changing hands most recently in late 2006. The latest owner had trouble with upkeep, in particular paying of renovation works, forcing the castle into the hands of administrators in 2012. In June 2013 Quintin Castle was sold to the Tayto Group, which in July 2016 applied for permission to use the Castle as an 8-bedroom private function venue for weddings, visiting customers, training and conferences.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.