The Royal Palace of Valladolid was the official residence of the Kings of Spain during the period in which the Royal Court had its seat in Valladolid between 1601 and 1606, and a temporary residence of the Spanish Monarchs from Charles I to Isabella II, as well as of Napoleon during the War of the Independence. Currently is the headquarters of the 4th General Sub-inspection of the Army.
Despite the fact that kings were present in Valladolid often, they lacked an official residence until the 17th century. When the Royal Court moved to the city, the palace of Francisco de Cobos fulfilled that function. Francisco de los Cobos was a Secretary of State under Charles V, Holy Roman Emperor (King Charles I of Spain). Born in Úbeda, De the Cobos forged a spectacular political career. He married in 1522 with María de Mendoza, daughter of the Counts of Ribadavia, achieving thus the nobility rank that he lacked. De los Cobos built his palace nearby his in-laws (Palace of the Counts of Ribadavia) and next to St. Paul's Church, according to a 1524 project of royal architect Luis de Vega. The building was built around a magnificent, Renaissance-styled courtyard. Charles V later ordered its extension, resulting in a building of complicated compositions like several courtyards, chapel and state rooms.
Since the 19th century the takes in the General Captaincy of the 7th Military Region (currently the 4th General Sub-inspection) of the Army. At the beginning of the 20th century significant renovations are made, to arrive at the present with numerous structural changes to its original design.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.