Pula fortress was built by the Venetians, situated on a hill in the center of Pula. It is interesting to point out that there are evidence that hill fort of the Histri was once in the same location. Because of its dominating position, the fortress was always used for defense of the city, bay and port. The fortress was built between 1630 and 1633, based on a design from French military engineer Antonio De Villa, so it belongs to the French style. It was always an important defensive point for Venetian control of the Adriatic. The stone from large Roman theater was used for its construction, along with the one from other quarries around Pula.
The center of the fortress has a rectangular shape, and four additional pentagonal tower increase its security. From aerial perspective, the fortress has a shape of a flower. The fortress was reconstructed several times. Even though there is a sing in the entrance with year 1840, it was built before. In Austrian-Hungarian times, the fortress is called Hafen Kastell, and in other half of the 19th century, it received new armament, penitentiary, guardhouse and other objects. It was part of Pula’s fortification system. After the end of World War I, the fortress has lost its significance.
Today it houses since the Historical Museum of Istria. The museum has several departments – Department of the history of Pula, Department of medieval Istrian history and the Department of modern Istrian history with adjoining collections. In the rich museum holdings (over 40,000 artifacts), particularly important is the collection of old postcards, maps and the collection of arms, uniforms, military and maritime equipment.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.