The Pula Cathedral is located on the south side of the Pula bay at the foot of the hill with the 17th century Venetian fort. The site of the present-day church has been used for religious worship since ancient Roman times and the first Christian churches on the site were built in the late 4th and early 5th century AD. These had gone through a series of enlargements and reconstructions over the ages.
It is believed that the site of the present-day church hosted a temple dedicated to Jupiter Conservator in Roman times. Archeological excavations also revealed ruins of Roman thermae on that location, and it is considered likely that during the Diocletianic Persecution local Christians used it for secret gatherings.
In the 4th and 5th centuries a whole complex of ancient Christian buildings was gradually erected on the location. A small church whose width corresponds to the present-day cathedral's central nave was built first, which was followed in the mid 4th century by a single-nave church of St. Thomas next to it. These two were incorporated into an extended hall church in the early 5th century. In the second half of the 5th century it was further transformed into a three-nave basilica which featured architectural elements popular in the northern Adriatic of the time, such as the apse set in the facade and the entirely flat rear side of the church. At around the same time, a baptisterywhich had a cross-shaped floor plan and a bishop's residence were built in front of the basilica, but they were both later demolished in the 19th century after the diocese seat was moved to Poreč in 1828.
The present-day cathedral came into existence through a series of expansions of these pre-existing 5th-century buildings. The original cathedral was richly decorated with frescoes and floor mosaics. However, only a small section of the original mosaic has survived to present times, bearing the inscription DAMIANUS ET LAVRENTIA, which were the names of the couple which had paid for the mosaic as part of their wedding vows.
In 1860 a grave containing a stone sarcophagus was discovered in the church. The sarcophagus contained a silver box adorned with depictions of St. Hermagoras and St. Fortunatus, bishops of Aquileia. The box contained a smaller golden reliquary which is believed to have held the relics of Thomas the Apostle, the patron saint of Pula and the Pula-Poreč diocese. The relics were probably brought here from Constantinople in the 5th century and are today kept at the Kunsthistorisches Museum in Vienna.
The first bishop whose seat was in Pula was Antonius, whose name is mentioned in the period from 510 to 547. During bishop Handegis' reign (857–862) an additional entrance was constructed in the southern wall. Today this entrance is walled up, but the its outline can still be seen on the southern wall. In 1242 the cathedral was heavily damaged in a Venetian raid and the ensuing fire. The damage was fully repaired in the 15th century when the building went through extensive reconstruction and the present-day sacristy was added.
In 1707 the free-standing baroque-style bell tower was added, next to the 5th century baptistery in front of the basilica. The belltower was built using stones taken from the Roman-built Pula Arena. The present-day cathedral's classicist facade was built in 1712, at the time of bishop Bottari, when extensive works on the reconstruction of the basilica and the bell tower were launched and were eventually finished in 1924. The 5th century baptistery was subsequently demolished in 1885. Pietro Kandler, a 19th-century Austrian historian, had made several drawings of the baptistery which survived to this day and which show that it had a hexagonal baptismal font, similar to the one at the Euphrasian Basilica in nearby Poreč.
The cathedral was heavily damaged again during World War II bombings of Pula, but was repaired again by 1947.
In 1675 five sarcophagi were found beneath the main altar. They were said to hold the bones of several early Christian saints, namely that of Ss. George, Theodore, Demetrius, Basil and Flora, along with the remains of Solomon, King of Hungary who ruled from 1063 to 1074. Along with the relics a document confirming that bishop Ursini had consecrated the cathedral altar in 1487 in honour of these saints was found. However, only the origins of St. Flora (a Christian martyr from Cordoba, d. 857 AD) and Solomon can be confirmed with some certainty.References:
The Château de Chaumont was founded in the 10th century by Odo I, Count of Blois. The purpose was to protect his lands from attacks from his feudal rivals, Fulk Nerra, Count of Anjou. On his behalf the Norman Gelduin received it, improved it and held it as his own. His great-niece Denise de Fougère, having married Sulpice d'Amboise, passed the château into the Amboise family for five centuries.
Pierre d'Amboise unsuccessfully rebelled against King Louis XI and his property was confiscated, and the castle was dismantled on royal order in 1465. It was later rebuilt by Charles I d'Amboise from 1465–1475 and then finished by his son, Charles II d'Amboise de Chaumont from 1498–1510, with help from his uncle, Cardinal Georges d'Amboise; some Renaissance features were to be seen in buildings that retained their overall medieval appearance. The château was acquired by Catherine de Medici in 1550. There she entertained numerous astrologers, among them Nostradamus. When her husband, Henry II, died in 1559 she forced his mistress, Diane de Poitiers, to exchange Château de Chaumont for Château de Chenonceau which Henry had given to de Poitiers. Diane de Poitiers only lived at Chaumont for a short while.
Later Chaumont has changed hands several times. Paul de Beauvilliers bought the château in 1699, modernized some of its interiors and decorated it with sufficient grandeur to house the duc d'Anjou on his way to become king of Spain in 1700. Monsieur Bertin demolished the north wing to open the house towards the river view in the modern fashion.
In 1750, Jacques-Donatien Le Ray purchased the castle as a country home where he established a glassmaking and pottery factory. He was considered the French "Father of the American Revolution" because he loved America. However, in 1789, the new French Revolutionary Government seized Le Ray's assets, including his beloved Château de Chaumont.
The castle has been classified as a Monument historique since 1840 by the French Ministry of Culture. The Château de Chaumont is currently a museum and every year hosts a Garden Festival from April to October where contemporary garden designers display their work in an English-style garden.