Pula fortress was built by the Venetians, situated on a hill in the center of Pula. It is interesting to point out that there are evidence that hill fort of the Histri was once in the same location. Because of its dominating position, the fortress was always used for defense of the city, bay and port. The fortress was built between 1630 and 1633, based on a design from French military engineer Antonio De Villa, so it belongs to the French style. It was always an important defensive point for Venetian control of the Adriatic. The stone from large Roman theater was used for its construction, along with the one from other quarries around Pula.
The center of the fortress has a rectangular shape, and four additional pentagonal tower increase its security. From aerial perspective, the fortress has a shape of a flower. The fortress was reconstructed several times. Even though there is a sing in the entrance with year 1840, it was built before. In Austrian-Hungarian times, the fortress is called Hafen Kastell, and in other half of the 19th century, it received new armament, penitentiary, guardhouse and other objects. It was part of Pula’s fortification system. After the end of World War I, the fortress has lost its significance.
Today it houses since the Historical Museum of Istria. The museum has several departments – Department of the history of Pula, Department of medieval Istrian history and the Department of modern Istrian history with adjoining collections. In the rich museum holdings (over 40,000 artifacts), particularly important is the collection of old postcards, maps and the collection of arms, uniforms, military and maritime equipment.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.