The smaller Roman Theatre of Pula from the 1st century AD was erected on the slope underneath the Venetian fortress. The area was divided into the stage and the proscene where the acting took place, the orchestra and the viewing area or the cavea. The theatre lied on the hill slope, which was the characteristic of Greek theatres. Only the stage foundations and a part of the semi-circular viewing area of the Small Roman Theatre have remained preserved. During the Antiquity, the theatre occupied a larger space not visible today in view of never completed archaeological surveys. Its capacity was estimated between 4 and 5 thousand spectators, which was the entire population of Pula at the time. Today, as in the Roman times, the twin gates lead to the theatre. In front of it is the Archaeological Museum, once the site of the German high school.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.