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Monastery of Saint Mary of Parral is a Roman Catholic monastery of the enclosed monks of the Order of Saint Jerome just outside the walls of Segovia. It was founded by King Henry IV of Castile, who acquired the lands before he became king in 1454. Despite a generally irreligious life, Henry IV maintained connections with the Hieronymites and was buried in the sister-house of Monastery of Santa María de Guadalupe.
In the 16th century a mint was built near the monastery using the Eresma River to power the machinery. The monastery was closed as part of the secularisation program of 1835. Following a Papal Decree of 1925, the Hieronymite Order was re-established here in the following years and was finally granted its Rule in 1969.
There are some works of art in the monastery, for example a 16th-century retable in Renaissance style. However, it is perhaps better known for its association with works that have been removed. Following the closure of the monastery in the 1830s, some of its works of art were moved to Madrid where they were stored in a monastery at Atocha. In the 1870s they were moved again to the Royal Gallery of El Prado in Madrid, where they were stored with little further research until some greater investigation took place between 2000 and 2003.
One painting in particular, The Fountain of Grace (The Triumph of the Church over the Synagogue), has attracted interest because of its presumed connection to the artist Jan van Eyck. Listed in the Convent's Libero de Bercero (Vellum Book) as a gift of the King in 1454, it uses the same symbolic language and constructional forms as part of The Mystic Lamb polytych in St Bavo's Cathedral, Ghent, Belgium.
Theories regarding its attribution have included the idea that it was rushed copy of a lost original, originally commissioned by Pope Eugene IV for a chapel in Brussels, possibly undertaken by Jan van Eyck during a diplomatic mission he undertook to the Iberian Peninsulain the 1430s.
References:The Moszna Castle is one of the best known monuments in the western part of Upper Silesia. The history of this building begins in the 17th century, although much older cellars were found in the gardens during excavations carried out at the beginning of the 20th century. Some of the investigators, including H. Barthel, claimed that those cellars could have been remnants of a presumed Templar castle, but their theory has never been proved. After World War II, further excavations discovered a medieval palisade.
The central part of the castle is an old baroque palace which was partially destroyed by fire on the night of April 2, 1896 and was reconstructed in the same year in its original form by Franz Hubert von Tiele-Winckler. The reconstruction works involved an extension of the residence. The eastern Neogothic-styled wing of the building was built by 1900, along with an adjacent orangery. In 1912-1914, the western wing was built in the Neo-Renaissance style. The architectural form of the castle contains a wide variety of styles, thus it can be generally defined as eclectic.
The height of the building, as well as its numerous turrets and spires, give the impression of verticalism. The whole castle has exactly ninety-nine turrets. Inside, it contains 365 rooms. The castle was twice visited by the German Emperor Wilhelm II. His participation in hunting during his stay at the castle was documented in a hand-written chronicle in 1911 as well as in the following year. The castle in Moszna was the residence of a Silesian family Tiele-Winckler who were industrial magnates, from 1866 until the spring of 1945 when they were forced to move to Germany and the castle was occupied by the Red Army. The period of the Soviet control caused significant damage to the castle's internal fittings in comparison to the minor damage caused by WWII.
After World War II the castle did not have a permanent owner and was the home of various institutions until 1972 when it became a convalescent home. Later it became a Public Health Care Centre for Therapies of Neuroses. Nowadays it can be visited by tourists since the health institution has moved to another building in the neighbourhood. The castle also has a chapel which is used as a concert hall. Since 1998 the castle housed a gallery in which works of various artists are presented at regular exhibitions.
Apart from the castle itself, the entire complex includes a park which has no precise boundaries and includes nearby fields, meadows and a forest. Only the main axis of the park can be characterised as geometrical. Starting from the gate, it leads along the oak and then horse-chestnut avenues, towards the castle. Further on, the park passes into an avenue of lime trees with symmetrical canals running along both sides of the path, lined with a few varieties of rhododendrons. The axis of the park terminates at the base of a former monument of Hubert von Tiele-Winckler. On the eastern side of the avenue there is a pond with an islet referred to by the owners as Easter Island. The islet is planted with needle-leaved shrubs and can be reached by a Chinese-styled bridge. The garden, as part of the whole park complex was restored slightly earlier than the castle itself. Preserved documents of 1868 state that the improvement in the garden's aesthetic quality was undertaken by Hubert von Tiele-Winckler.