Cathedrals in France
Rieux Cathedral
Rieux Cathedral was the seat of the Ancien Régime diocese of Rieux, created in 1317 and dissolved in 1790. The cathedral was built on the site of 13th century church and contains defensive elements from the old fortified church. Its 43 meters high octagonal tower is built in Toulouse style.Tarbes Cathedral
Tarbes Cathedral was established during the 12th century. There remain two apses of the choir. A first extension was made in the 14th century by the addition of a Gothic nave. Its extension extended until the 18th century with the outer span. The cathedral resembles a fortress as it was built with round pebbles from the river Adour which have also been used for the construction of many houses in Tarbes. It can accommod ...Lescar Cathedral
The building of Lescar Cathedral was begun in 1120 by Bishop Guy de Lons, and was sacked by the Protestants during the reign of Jeanne III of Navarre. It was restored in the 17th and 18th centuries. The apse, housing a pavement mosaic from the 12th century with hunting scenes, is in Romanesque style. In the interior, columns have capitals depicting histories of the life of Daniel, of the birth of Christ and the S ...Bayonne Cathedral
The Cathedral of Saint Mary of Bayonne is the seat of the former Bishops of Bayonne, now the Bishops of Bayonne, Lescar, and Oloron. The cathedral is in the Gothic architectural tradition. The site was previously occupied by a Romanesque cathedral that was destroyed by two fires in 1258 and 1310. Construction of the present cathedral began in the 13th century and was completed at the beginning of the 17th, exce ...Auch Cathedral
Auch Cathedral of Sainte-Marie (1489–1662) is one of the finest Gothic buildings of southern France. Its chief features are 113 Renaissance choir stalls of carved oak and Renaissance stained-glass windows by Arnaud de Moles. The cathedral’s classical facade dates from the 16th and 17th centuries, and its great organ (17th century) is one of the finest in the world for playing Baroque music. The 18th-century archbish ...Condom Cathedral
Condom Cathedral is dedicated to Saint Peter. The cathedral dominates the town, which sits on a hill above the Baïse River. It was designed at the end of the 15th century and erected from 1506 to 1531, making it one of the last major buildings in the Gers region to be constructed in the Gothic style of south-west France. The church has buttresses all around and there is a 40-metre square tower over the west fr ...Éauze Cathedral
Eauze former cathedral is a national monument. It was the ecclesiastical seat of the former Diocese of Eauze, which was merged into the Bishopric of Auch, probably in the 9th century. Eauze Cathedral is dedicated to Saint Luperculus, who is said to have been a bishop here in the 3rd century before being martyred. Odon, Count of Fezensac, founded a Benedictine monastery on this site After 960 AD. In 1088, the m ...Lectoure Cathedral
The former Lectoure Cathedral dominates the town and the belfry tower of 1488 can be seen at a distance as the town is approached. The repairs and modifications of the cathedral go back to the 12th century. The unadorned west front erected in the 15th century has been modified through the ages, and niches above the door have all but melted away due to the fragility of the limestone. The nave was vaulted at the end of th ...Lombez Cathedral
Lombez Cathedral is a brick church with an ornate pink-and-white five-tiered octagonal bell tower constructed c. 1346. A plaque to the right of the plain west entrance records the visit of the Italian poet Petrarch in 1330, arranged by the bishop, Jacques Colonna (1328–41), also of Italian extraction, who made Petrarch an honorary canon in 1335. The typical blank west façade of meridional Gothic is relieved only by ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Barnenez Cairn
The Cairn of Barnenez is the largest Megalithic mausoleum in Europe. It dates from the early Neolithic Age is considered one of the earliest megalithic monuments in Europe. It is also remarkable for the presence of megalithic art. Radiocarbon dates indicate that the first phase of the monument was erected between 4850 and 4250 BC, and the second phase between 4450 and 4000 BC. Pottery found in and around the monument indicates that it underwent a period of reuse in the Bronze Age, in the 3rd millennium BC.
The cairn was first mapped in 1807, in the context of the Napoleonic cadaster. Its first scientific recognition took place in the context of an academic congress in Morlaix in 1850, when it was classified as a tumulus. Privately owned until the 1950s, the cairn was used as a quarry for paving stones. This activity, which threatened to destroy the monument, was only halted after the discovery of several of its chambers in the 1950s. The local community then took control of the site. The cairn was restored between 1954 and 1968. At the same time, vegetation was removed from the mound and systematic excavation took place in and around the monument.
Today, the Barnenez cairn is 72 m long, up to 25 m wide and over 8 m high. It is built of 13,000 to 14,000 tons of stone. It contains 11 chambers entered by separate passages. The mound has steep facades and a stepped profile. Several internal walls either represent earlier facades or served the stability of the structure. The cairn consists of relatively small blocks of stone, with only the chambers being truly megalithic in character. The monument overlooks the Bay of Morlaix, probably a fertile coastal plain at the time of its erection.
Engraved symbols occur in several of the chambers and passages. They depict bows, axes, wave symbols or snakes and a repeated U-shaped sign. One of the carved slabs is in secondary use was originally part of a different structure, an interesting parallel to the situation in several other such monuments, including Gavrinis. The symbols on the engraved blocks resemble those found in other megalithic monuments in Brittany; in broader terms they belong to the cultural phenomenon described as megalithic art. One of the recurring symbols is sometimes interpreted as an anthropomorphic depiction (the so-called \'Dolmen Goddess\').
An exhibition in the modern entrance building explains the results of scientific excavation and displays some objects from the site.