First record of the St. Peter's Church dates back to 1209. The church was a masonry construction and therefore undamaged by a city fire in Riga that year. The history of the church can be divided into three distinct periods: two associated with Gothic and Romanesque building styles, the third with the early Baroque period. The middle section of the church was built during the 13th century, which encompasses the first period. The only remnants of this period are located in the outer nave walls and on the inside of a few pillars in the nave, around which larger pillars were later built.
The second period dates to 15th century, when master builders Johannes Rumeschottel from Rostock supervised the construction of the sanctuary, based on the St. Mary's Church in Rostock. The old bell tower was replaced in 1456, and a bell was hung in the new tower in 1477. A 136 metres (446 ft) octagonal steeple was added to the tower in 1491, which, along with the church's front facade, dominated the silhouette of Riga. The tower collapsed 11 March 1666, destroying a neighboring building and burying eight people in the rubble.
Three identical portals by Bindenshu and Andreas Peterman were added in 1692. The third period of construction dates to 1671–90. The newly renovated church served for a mere 29 years, for lightning struck and set fire to the tower and church 10 May 1721. Only the church and tower walls remained standing after the fire. Reconstruction of the church began immediately under the direction of the master carpenter Tom Bochum and master mason Kristofer Meinert. By 1723 the building already had a temporary roof. Johann Heinrich Wilbern took over supervision of the project in 1740, and under his direction a new 69.6 metres steeple was built in 1746.
The church burned down 29 June 1941. Conservation and restoration began 1954 with research by architect Pēteris Saulītis. The work was carried out from 1967 to 1983 under the direction of Saulītis and architect Gunārs Zirnis. The St. Peter's Latvian Lutheran congregation resumed services in the church 1991, and the church was returned to the ownership of the Evangelical Lutheran Church of Latvia on 4 April 2006.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.