Sankt Ols Kirke (St Olaf's Church), also known as Olsker Church, is a 12th century round church located in the village of Olsker. Built in the Romanesque style and reaching three storeys high, it has from the beginning consisted of a round nave, a choir and an apse.
The church was named after the revered King Olaf II of Norway who fell at the Battle of Stiklestad in 1030. The church first belonged to the Archbishopric of Lund, then came under the Danish crown at the time of the Reformation. In the 19th century, it became fully independent.
The highest of Bornholm's four round churches, rising 13 metres from its base to the top of the conical roof, the church is built of local granite fieldstone with limestone door frames. Standing on a hilltop at a height of 112 meters above sea level, it was built as a stronghold to defend the surrounding area. The openings in the wall on the upper storey were designed for shooting or throwing stones at the enemy. There was also a platform with a parapet which was used for defensive purposes. The church was also equipped with a hanging gallery, supported on beams projecting from the walls of the round tower.
The structure consists of a barrel vault and a central column bearing the upper floors. The height of the cylindrical nave, 13 metres, is almost exactly the same as that of Østerlars Church. There are small extensions from the nave into the small choir and tiny apse. The central column provides solid support for the first two storeys but is more slender in the loft where it bears the more recent roofing. The porch is probably medieval while the two buttresses to the west were added in 1825 to guard against collapse. The bell tower dates from the end of the 18th century. Restoration work was carried out in 2004 by Nils-Holger Larsen.
During restoration work in 1911 and 1950–52, frescoes were discovered in the nave and choir from at least three different periods, the oldest from the 14th century. They were however in very poor condition, especially in the nave. The early Renaissance pulpit dates from the first half of the 16th century. In the 18th century, it was decorated with paintings of the evangelists and angels. The fairly recent oak gallery is unpainted. The new organ was built by Axel Starup.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.