Sankt Ols Kirke (St Olaf's Church), also known as Olsker Church, is a 12th century round church located in the village of Olsker. Built in the Romanesque style and reaching three storeys high, it has from the beginning consisted of a round nave, a choir and an apse.

The church was named after the revered King Olaf II of Norway who fell at the Battle of Stiklestad in 1030. The church first belonged to the Archbishopric of Lund, then came under the Danish crown at the time of the Reformation. In the 19th century, it became fully independent.

The highest of Bornholm's four round churches, rising 13 metres from its base to the top of the conical roof, the church is built of local granite fieldstone with limestone door frames. Standing on a hilltop at a height of 112 meters above sea level, it was built as a stronghold to defend the surrounding area. The openings in the wall on the upper storey were designed for shooting or throwing stones at the enemy. There was also a platform with a parapet which was used for defensive purposes. The church was also equipped with a hanging gallery, supported on beams projecting from the walls of the round tower.

The structure consists of a barrel vault and a central column bearing the upper floors. The height of the cylindrical nave, 13 metres, is almost exactly the same as that of Østerlars Church. There are small extensions from the nave into the small choir and tiny apse. The central column provides solid support for the first two storeys but is more slender in the loft where it bears the more recent roofing. The porch is probably medieval while the two buttresses to the west were added in 1825 to guard against collapse. The bell tower dates from the end of the 18th century. Restoration work was carried out in 2004 by Nils-Holger Larsen.

During restoration work in 1911 and 1950–52, frescoes were discovered in the nave and choir from at least three different periods, the oldest from the 14th century. They were however in very poor condition, especially in the nave. The early Renaissance pulpit dates from the first half of the 16th century. In the 18th century, it was decorated with paintings of the evangelists and angels. The fairly recent oak gallery is unpainted. The new organ was built by Axel Starup.

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Details

Founded: 12th century
Category: Religious sites in Denmark
Historical period: The First Kingdom (Denmark)

More Information

en.wikipedia.org

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User Reviews

Martin Birk (3 years ago)
Hyggeligt sted. Flot og interresant bygningsværk, samt et spændende indblik i Bornholms kultur
Rolanda Brelińska (3 years ago)
Było cudownie ! Dania to cudowny kraj ... Mogłabym tam mieszkać.
Marek Szostak (3 years ago)
Miejsce które trzeba odwiedzić gdy się jest na Bornholmie
Jørgen Norden (3 years ago)
En af de 4 ægte rundkirker...
Jessica Olsson (3 years ago)
Otroligt byggnad med historia från 1200 talet som fästning Den högsta rundkyrkan på Bornholm Vackra vykort som du kan få gratis Kyrkan är även en del av den kände silversmeden Mogens Bjørn-Andersen logga.
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Veste Coburg

The Veste Coburg is one of Germany's largest castles. The hill on which the fortress stands was inhabited from the Neolithic to the early Middle Ages according to the results of excavations. The first documentary mention of Coburg occurs in 1056, in a gift by Richeza of Lotharingia. Richeza gave her properties to Anno II, Archbishop of Cologne, to allow the creation of Saalfeld Abbey in 1071. In 1075, a chapel dedicated to Saint Peter and Saint Paul is mentioned on the fortified Coberg. This document also refers to a Vogt named Gerhart, implying that the local possessions of the Saalfeld Benedictines were administered from the hill.

A document signed by Pope Honorius II in 1206 refers to a mons coburg, a hill settlement. In the 13th century, the hill overlooked the town of Trufalistat (Coburg's predecessor) and the important trade route from Nuremberg via Erfurt to Leipzig. A document dated from 1225 uses the term schloss (palace) for the first time. At the time, the town was controlled by the Dukes of Merania. They were followed in 1248 by the Counts of Henneberg who ruled Coburg until 1353, save for a period from 1292-1312, when the House of Ascania was in charge.

In 1353, Coburg fell to Friedrich, Markgraf von Meißen of the House of Wettin. His successor, Friedrich der Streitbare was awarded the status of Elector of Saxony in 1423. As a result of the Hussite Wars the fortifications of the Veste were expanded in 1430.

Early modern times through Thirty Years' War

In 1485, in the Partition of Leipzig, Veste Coburg fell to the Ernestine branch of the family. A year later, Elector Friedrich der Weise and Johann der Beständige took over the rule of Coburg. Johann used the Veste as a residence from 1499. In 1506/07, Lucas Cranach the Elder lived and worked in the Veste. From April to October 1530, during the Diet of Augsburg, Martin Luther sought protection at the Veste, as he was under an Imperial ban at the time. Whilst he stayed at the fortress, Luther continued with his work translating the Bible into German. In 1547, Johann Ernst moved the residence of the ducal family to a more convenient and fashionable location, Ehrenburg Palace in the town centre of Coburg. The Veste now only served as a fortification.

In the further splitting of the Ernestine line, Coburg became the seat of the Herzogtum von Sachsen-Coburg, the Duchy of Saxe-Coburg. The first duke was Johann Casimir (1564-1633), who modernized the fortifications. In 1632, the fortress was unsuccessfully besieged by Imperial and Bavarian forces commanded by Albrecht von Wallenstein for seven days during the Thirty Years' War. Its defence was commanded by Georg Christoph von Taupadel. On 17 March 1635, after a renewed siege of five months' duration, the Veste was handed over to the Imperials under Guillaume de Lamboy.

17th through 19th centuries

From 1638-72, Coburg and the Veste were part of the Duchy of Saxe-Altenburg. In 1672, they passed to the Dukes of Saxe-Gotha and in 1735 it was joined to the Duchy of Saxe-Saalfeld. Following the introduction of Primogeniture by Duke Franz Josias (1697-1764), Coburg went by way of Ernst Friedrich (1724-1800) to Franz (1750-1806), noted art collector, and to Duke Ernst III (1784-1844), who remodeled the castle.

In 1826, the Duchy of Saxe-Coburg-Gotha was created and Ernst now styled himself 'Ernst I'. Military use of the Veste had ceased by 1700 and outer fortifications had been demolished in 1803-38. From 1838-60, Ernst had the run-down fortress converted into a Gothic revival residence. In 1860, use of the Zeughaus as a prison (since 1782) was discontinued. Through a successful policy of political marriages, the House of Saxe-Coburg and Gotha established links with several of the major European dynasties, including that of the United Kingdom.

20th century

The dynasty ended with the reign of Herzog Carl Eduard (1884-1954), also known as Charles Edward, Duke of Saxe-Coburg and Gotha, a grandson of Queen Victoria, who until 1919 also was the 2nd Duke of Albany in the United Kingdom. Under his rule, many changes made to the Veste in the 19th century were reversed under architect Bodo Ebhardt, with the aim of restoring a more authentic medieval look. Along with the other ruling princes of Germany, Carl Eduard was deposed in the revolution of 1918-1919. After Carl Eduard abdicated in late 1918, the Veste came into possession of the state of Bavaria, but the former duke was allowed to live there until his death. The works of art collected by the family were gifted to the Coburger Landesstiftung, a foundation, which today runs the museum.

In 1945, the Veste was seriously damaged by artillery fire in the final days of World War II. After 1946, renovation works were undertaken by the new owner, the Bayerische Verwaltung der staatlichen Schlösser, Gärten und Seen.

Today

The Veste is open to the public and today houses museums, including a collection art objects and paintings that belonged to the ducal family of Saxe-Coburg and Gotha, a large collection of arms and armor, significant examples of early modern coaches and sleighs, and important collections of prints, drawings and coins.