The Monastery of Dumio (São Martinho de Dume), is a former paleo-Christian monastery in the civil parish of Dume, municipality of Braga, in northwestern Portugal. Originally a Roman villa, it was the base of a basilica by Suebi tribes, and later Christian monastery headed by Martin of Braga in the 6th century (c. 550–560). The re-discovery of the Roman ruins in the late 20th century resulted in archaeological excavations that unearthed its former use.
The ruins are located around the Lugar da Igreja or Lugar do Assento on the square occupied by the parochial church of Dume. Occupying a rural landscape, the space is an ample property that include the Church of São Martinho de Dume, constituted by a central nucleus of the courtyard, the chapel of Nossa Senhora do Rosário and backyard of the Casa do Assento, on the same block occupied by the local cemetery.
The archaeological ruins in Dume encompass a complex of structures that include: a grande Roman villa (with a habitational zone) and bathhouse; remnants of a granite basilica in the form of a Latin cross (oriented east to west); with regularly horizontal aligned deposits in mortar, pavement and polychromatic mosaics; and a necropolis consisting of twelve graves, located in an area defined by granite slabs and/or brick coverage. These individual spaces were occupied successively over a 2000-year period.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.