The Great Cemetery (Latvian: Lielie kapi, German: Grosser Friedhof) was formerly the principal cemetery of Riga in Latvia, established in 1773. It was the main burial ground of the Baltic Germans in Latvia. Between 1771 and 1772, Catherine the Great, empress of the Russian Empire, decreed that from that point onwards no-one, regardless of their social standing or class origins, was to be buried in a church crypt or churchyard; all burials were to take place in the new cemeteries to be built throughout the entire Russian empire, which were to be located outside town boundaries.
Against this background the Great Cemetery in Riga was founded in 1773. It served as a burial ground for over 170 years for almost all Baltic Germans who died in the city between 1773 and 1944. Additionally, numerous Latvians of upper social status were buried there as well. The cemetery was divided into three section: Lutheran, Roman Catholic, and Orthodox Christian. One of the first to be (re-)buried there was the founder of the city, Albert of Riga, whose remains were exhumed from one of the city's main churches and transferred to the cemetery in 1773.
Burials at the cemetery were drastically reduced after Hitler's forced transfer, under the Molotov–Ribbentrop Pact, of tens of thousands of Baltic Germans from Latvia in late 1939 to occupied areas in western Poland. Burials at the cemetery continued on a much smaller scale until 1944, principally among those Baltic Germans who had refused Hitler's call to leave the region.
After World War II hundreds of headstones and graves were removed or destroyed by the Soviet authorities during the second occupation of the Baltic states. In 1957 the cemetery was closed completely for any further burials and began to fall in disrepair. In 1967 or 1969 the city council decided to bulldoze large sections of the cemetery in order to transform it into a public memorial Park. The Russian Orthodox section of the cemetery, later named Pokrov Cemetery, is the only area which was not added to the territory of the Memorial Park and therefore was the only part to remain well preserved.
Today a significant number of Baltic German and Latvian graves and family plots, including a restored crypt built in 1777 and the graves of Krišjānis Baronsand Krišjānis Valdemārs, have survived the post-war destruction. However, many of these graves are in an abandoned or neglected condition. The city of Riga is currently discussing exchanging St Peter's Church for the Great Cemetery so that the city can properly take over maintenance.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.