Presidential Palace

Vilnius, Lithuania

The Presidential Palace (Prezidentūra) is the official office and eventual official residence of the President of Lithuania. The palace dates back to the 14th century and during its history it has undergone various reconstructions, supervised by prominent architects, including Laurynas Gucevičius and Vasily Stasov. In 1997 the palace became the official seat of the President of Lithuania.

The Palace traces its history back to the 14th century, when Jogaila, the Grand Duke of Lithuania, issued an edict donating land in the city to the Vilnius Diocese, for this reason the palace is sometimes referred to as the Bishops' Palace. Construction of the Palace took place in the late 14th century under the auspices of the first Bishop of Vilnius Andrzej Jastrzębiec, and over succeeding generations, the building was gradually enlarged and renovated. During the Renaissance, the Palace was once again renovated, and parks and gardens surrounding the building were expanded.

As the 18th century unfolded, a number of dramatic events in the Palace's history took place: the last Bishop of Vilnius lived in the Palace, Lithuania was annexed by the Russian Empire, and the building itself was badly damaged by two major fires in 1737 and 1748. The Palace was reconstructed in 1750 under the supervision of the architect Laurynas Gucevičius. After its reconstruction, the Palace was used as a residence for emperors, kings and noblemen. During 1796, Tsar Paul I lived at the Palace. During the course of the 19th century, the Palace served as a residence for several Imperial Russian governors. It was also visited by the future King of France, Louis XVIII in 1804.

In 1812, both the Russian Tsar Alexander I and the French Emperor Napoleon used the Palace as their residence. During Napoleon's invasion of Russia, he organized military operations and Lithuanian army units from this Palace, including five regiments of infantry, four cavalry regiments, and the National Guard of Vilnius. After Napoleon's defeat in 1812, the Palace was used for ceremonial proposes. During 1824-1834, the Palace was reconstructed by the prominent St. Petersburg architect Vasily Stasov in the Empire style, under supervision of Karol Podczaszyński. Stasov's reconstruction of the Palace has remained to this day.

After Lithuania regained its independence in 1918, the Palace housed the Ministry of Foreign Affairs and the ELTA news agency until it ended up in Poland in 1920. It was restored in the 1930s by Stefan Narębski. After the Second World War, the Palace served as the Military Officers' Centre; later it housed various Lithuanian artists. The Palace was gradually adapted for use as a presidential office, and since 1997 it has served as the official office of the President of Lithuania. Currently, adaptations are underway to expand the palace's functions to also serve as the president's official residence. A flag displaying the coat of arms of the President is hoisted when the President is present in the Palace or in the city.

References:

Comments

Your name



Details

Founded: 1750
Category: Palaces, manors and town halls in Lithuania

More Information

en.wikipedia.org

Rating

4.6/5 (based on Google user reviews)

User Reviews

Erika Matovičiūtė (3 years ago)
Very beautiful place
Jennifer Jarvis (4 years ago)
Another must-see on the Vilnius tourist list. Highly recommend a stop by.
Zilvinas R (4 years ago)
During old town restoration, there used to be secret room for spirit distillery, called "samagonas". If Lithuanian government needs more details, I can provide them. Really nice place to visit, and walk round during the night.
Jo Ha Dschin (4 years ago)
The centre of lithaunian power looks nice from the Tourist view
Gin Vis (4 years ago)
If possible take an excursion - very nice inside.
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Mosque–Cathedral of Córdoba

The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.

According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.

In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.

The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.

Architecture

The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.

In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.

The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.