Presidential Palace

Vilnius, Lithuania

The Presidential Palace (Prezidentūra) is the official office and eventual official residence of the President of Lithuania. The palace dates back to the 14th century and during its history it has undergone various reconstructions, supervised by prominent architects, including Laurynas Gucevičius and Vasily Stasov. In 1997 the palace became the official seat of the President of Lithuania.

The Palace traces its history back to the 14th century, when Jogaila, the Grand Duke of Lithuania, issued an edict donating land in the city to the Vilnius Diocese, for this reason the palace is sometimes referred to as the Bishops' Palace. Construction of the Palace took place in the late 14th century under the auspices of the first Bishop of Vilnius Andrzej Jastrzębiec, and over succeeding generations, the building was gradually enlarged and renovated. During the Renaissance, the Palace was once again renovated, and parks and gardens surrounding the building were expanded.

As the 18th century unfolded, a number of dramatic events in the Palace's history took place: the last Bishop of Vilnius lived in the Palace, Lithuania was annexed by the Russian Empire, and the building itself was badly damaged by two major fires in 1737 and 1748. The Palace was reconstructed in 1750 under the supervision of the architect Laurynas Gucevičius. After its reconstruction, the Palace was used as a residence for emperors, kings and noblemen. During 1796, Tsar Paul I lived at the Palace. During the course of the 19th century, the Palace served as a residence for several Imperial Russian governors. It was also visited by the future King of France, Louis XVIII in 1804.

In 1812, both the Russian Tsar Alexander I and the French Emperor Napoleon used the Palace as their residence. During Napoleon's invasion of Russia, he organized military operations and Lithuanian army units from this Palace, including five regiments of infantry, four cavalry regiments, and the National Guard of Vilnius. After Napoleon's defeat in 1812, the Palace was used for ceremonial proposes. During 1824-1834, the Palace was reconstructed by the prominent St. Petersburg architect Vasily Stasov in the Empire style, under supervision of Karol Podczaszyński. Stasov's reconstruction of the Palace has remained to this day.

After Lithuania regained its independence in 1918, the Palace housed the Ministry of Foreign Affairs and the ELTA news agency until it ended up in Poland in 1920. It was restored in the 1930s by Stefan Narębski. After the Second World War, the Palace served as the Military Officers' Centre; later it housed various Lithuanian artists. The Palace was gradually adapted for use as a presidential office, and since 1997 it has served as the official office of the President of Lithuania. Currently, adaptations are underway to expand the palace's functions to also serve as the president's official residence. A flag displaying the coat of arms of the President is hoisted when the President is present in the Palace or in the city.

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Details

Founded: 1750
Category: Palaces, manors and town halls in Lithuania

More Information

en.wikipedia.org

Rating

4.6/5 (based on Google user reviews)

User Reviews

Erika Matovičiūtė (5 months ago)
Very beautiful place
Jennifer Jarvis (2 years ago)
Another must-see on the Vilnius tourist list. Highly recommend a stop by.
Zilvinas R (2 years ago)
During old town restoration, there used to be secret room for spirit distillery, called "samagonas". If Lithuanian government needs more details, I can provide them. Really nice place to visit, and walk round during the night.
Jo Ha Dschin (2 years ago)
The centre of lithaunian power looks nice from the Tourist view
Gin Vis (2 years ago)
If possible take an excursion - very nice inside.
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Porta Nigra

The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.

The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.

In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.

In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.

After 1028, the Greek monk Simeon lived as a hermit in the ruins of the Porta Nigra. After his death (1035) and sanctification, the Simeonstift monastery was built next to the Porta Nigra to honor him. Saving it from further destruction, the Porta Nigra was transformed into a church: The inner court of the gate was roofed and intermediate ceilings were inserted. The two middle storeys of the former gate were converted into church naves: the upper storey being for the monks and the lower storey for the general public. The ground floor with the large gates was sealed, and a large outside staircase was constructed alongside the south side (the town side) of the gate, up to the lower storey of the church. A small staircase led further up to the upper storey. The church rooms were accessible through former windows of the western tower of the Porta Nigra that were enlarged to become entrance doors (still visible today). The top floor of the western tower was used as church tower, the eastern tower was leveled, and an apse added at its east side. An additional gate - the much smaller Simeon Gate - was built adjacent to the East side of the Porta Nigra and served as a city gate in medieval times.

In 1802 Napoleon Bonaparte dissolved the church in the Porta Nigra and the monastery beside it, along with the vast majority of Trier"s numerous churches and monasteries. On his visit to Trier in 1804, Napoleon ordered that the Porta Nigra be converted back to its Roman form. Only the apse was kept; but the eastern tower was not rebuilt to its original height. Local legend has it that Napoleon originally wanted to completely tear down the church, but locals convinced him that the church had actually been a Gaulish festival hall before being turned into a church. Another version of the story is that they told him about its Roman origins, persuading him to convert the gate back to its original form.

In 1986 the Porta Nigra was designated a World Heritage Site, along with other Roman monuments in Trier and its surroundings. The modern appearance of the Porta Nigra goes back almost unchanged to the reconstruction ordered by Napoleon. At the south side of the Porta Nigra, remains of Roman columns line the last 100 m of the street leading to the gate. Positioned where they had stood in Roman times, they give a slight impression of the aspect of the original Roman street that was lined with colonnades. The Porta Nigra, including the upper floors, is open to visitors.