Nonnebakken (literally, "Nun Hill") is the site of one of Denmark's six former Viking ring castles, built during the reign of Sweyn Forkbeard, who had forced his father Harold Bluetooth to leave the country and seek refuge by the Jomsvikingson Wollin (modern Poland) around 975. The fort enabled its occupier command of the Odense River passing next to the hill.
The name refers to the Benedictine Nunnery located on the site at earlier times. To the end of the 12th century the Nuns left the site to build a new Church in Dalum to the southeast, now a suburb of Odense.
The earthworks can still be recognized in the panorama of Odense in the 'Civitates Orbis Terrarum' from Georg Braun and Frans Hogenberg. The engraving is in volume 5, that was finished in 1598 (although first published in 1612-18 in Cologne), on plate 30, that was made in 1593 from information contributed by Heinrich Rantzau or from sketches he gave in order. It also appears on the panorama of Odense published by Braunius in 1593.
The archaeological remains of the fort took heavy damage when a building for the Odd Fellow lodge was constructed on the site during the late nineteenth century. The site was excavated by the Fyns Stiftsmuseum. The castle had a diameter of 120 m and dates to 980-1000, similar to the other Viking ring castles.
Although finds have been reported from 1775 and 1889 the extent of the whole structure was first determined in 1953. The next major gain in Information was when in 1988 trenches where dug for laying cables. A ditch with pointed bottom was observed during the excavations. It was at least four meters wide and two meters deep with a berm of maximal 10 to 12 meters. The later filling could be dated to the time of the abbey. The profile of a ditch with pointed bottom eight meters wide and some four meters deep was excavated in the northeast and the northwest. During excavations prior to larger diggings for heating pipes in 1995/97/98 a ditch eleven meters wide and three meters deep was observed. A spade made of oak was found that was dated with dendrochronology to the functioning time of the structure. Excavations in 2002 revealed parts of the abbey.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.