Construction of the Fort Friedrichsburg or Feste Friedrichsburg began in 1657 during the Second Northern War by the order of Frederick William of Brandenburg-Prussia. The only remnant of the former fort is the Friedrichsburg Gate. The fort was built in place of a tollhouse on the southern shore of the Pregel River at the western edge of Königsberg. It was included within the new ring of Königsberg fortifications constructed from 1626–34. Districts neighboring the fort were Vorstadt to the east, Nasser Garten to the southwest outside of the city walls, and Lastadie to the north across the river. Construction of the fort was resented by the constituent towns of Königsberg, especially Kneiphof.
Friedrichsburg was designed by Christian Otter, court mathematician and Albertina professor. Friedrichsburg's position allowed its cannons to defend the city from the west, monitor incoming traffic from the Frisches Haff, and suppress civil uprising. The fort originally consisted of earthwork, bricks, and ditches. The square-shaped structure included four bastions, nicknamed Smaragd, Perle, Rubin, and Diamant.
Initially only the northeastern bastion contained a cavalier and ravelin. Later additions included ravelins along the western and southern fronts, a cavalier along the southwestern bastion, and a covered way along the counterscarp. These additions were possibly completed during the occupation of Königsberg by the Imperial Russian Army in the Seven Years' War (1758–62). The additions were not visible on Valerianus Müller's plan from 1815.
The interior of the fort contained a command building, lodging, supplies, and prisons. It had a small permanent garrison of about 150 men, but could host a stronger force if need be. A small church, constructed in 1671, served as the garrison church until 1816. An armory was completed in 1796, but dismantled in 1892.
Peter I of Russia studied the fort in 1697 while touring Europe. The fort was used as a state and military prison until 1825; Ludwig Yorck von Wartenburg was imprisoned there for insubordination from 1780–81. The Friedrichsburg Gate was completed during the reign of King Frederick William IV of Prussia. The fort was remodeled in 1852 during the reign of King Frederick William IV of Prussia, with construction of the stately Friedrichsburg Gate, new walls, and expansion of the citadel with four round towers. By the end of the 19th century, however, the fort was used only for military storage.
To allow construction of new tracks for Königsberg's goods station, Friedrichsburg was sold to the Prussian Eastern Railway on 23 August 1910 and subsequently dismantled. Segelclub RHE moved from Friedrichsburg to Contienen in 1914.
The site was used for storage and automobile exhibitions after the change of German Königsberg to Russian Kaliningrad resulting from World War II. It is being restored during the 2010s and is part of the Museum of the World's Oceans.References:
The Cathedral of Limburg is one of the best preserved late Romanesque style buildings. It is unknown When the first church was built above the Lahn river. Archaeological discoveries have revealed traces of a 9th-century church building in the area of the current chapel. It was probably built in Merovingian times as a castle and the chapel added in the early 9th century.
In 910 AD, Count Konrad Kurzbold (cousin of the future King Konrad I) founded a collegiate chapter of 18 canons, who lived according to the rule of Bishop Chrodegang of Metz, on the hilltop site. The original castle chapel was torn down and a three-aisled basilica was built in its place. The foundations of this basilica have been found beneath the present floor.
The construction of current cathedral is dated to 1180-90. The consecration was performed in 1235 by the archbishop of Trier. It seems certain that the cathedral was built in four stages. The first stage encompassed the west facade, the south side aisle, the choir and the transept up to the matroneum. This section forms the Conradine church. The second stage consisted of the addition of the inner pillars of the south nave. In this stage the bound system was first introduced. In the third phase, the matroneum in the southern nave was built. The fourth stage included the north side of the transept and the choir matroneum. By this stage Gothic influence is very clear.
The interior was destroyed by Swedish soldiers during the Thirty Years War (1618-48) and reconstructed in a late Baroque style in 1749. The Baroque renovation was heavy-handed: the surviving medieval stained glass windows were replaced; all the murals were covered up; the ribs of the vaults and columns of the arcades were painted blue and red; the capstones were gilded; the original high altar was replaced. The colorfully painted exterior was coated in plain white and the central tower was extended by 6.5 meters.
The collegiate chapter of Limburg was dissolved in 1803 during the Napoleonic period, but then raised to the rank of cathedral in 1827 when the bishopric of Limburg was founded. Some renovations in contemporary style followed: the walls were coated white, the windows were redone in blue and orange (the heraldic colors of the Duke of Nassau) and towers were added to the south transept (1865).
Further changes came after Limburg was incorporated into the Kingdom of Prussia in 1866. It was now the Romantic period and the cathedral was accordingly restored to an idealized vision of its original Romanesque appearance. The exterior stonework was stripped of all its plaster and paint, to better conform with the Romantic ideal of a medieval church growing out of the rock. The Baroque interior was stripped away and the wall paintings were uncovered and repainted.
Further renovations came in 1934-35, enlightened by better knowledge of the original art and architecture. Art Nouveau stained glass windows were also added. A major restoration in 1965-90 included replastering and painting the exterior, both to restore it to its original appearance and to protect the stonework, which was rapidly deteriorating while exposed to the elements.
The interior is covered in medieval frescoes dating from 1220 to 1235. They are magnificent and important survivals, but time has not been terribly kind to them - they were whitewashed over in the Baroque period (1749) and uncovered and repainted with a heavy hand in the Romantic period (1870s) before finally being restored more sensitively in the 1980s.