The church of Panagia is inscribed in the UNESCO World Heritage List, which includes nine other painted Byzantine churches of the Troodos range. According to the dedicatory inscription on the north wall of the Holy Bema, the church was built and decorated with frescoes in 1280, with the donation of Ioannis of Moutoullas and his wife Irene. Both of them are depicted holding a model of the church. It is therefore possible, that the Church of Panagia tou Moutoulla was a private chapel. The church belongs to the well-known architectural type of the single-aisled, steep-pitched timber roof of the Troodos region. The narthex was added at a later stage, after the beginning of the 16th century, and it extends to the west and north sides the church. The timber roof also covers the narthex.
As far as the mural decoration of the church is concerned, it is worth noting that it is the only series of wall-paintings of the thirteenth century (1280) which survive in Cyprus that can be dated with precision. Due to the small size of the church, the iconographic programme was reduced accordingly. It must be noted that the donors are faithful to the orthodox tradition, without ignoring their contemporary world, a fact that becomes obvious when one notices the repertoire. It is in any case a remarkable set of wall paintings.
Both the style and the iconographic programme of the painter are of great interest. His style is a mixture of older 12th century Byzantine characteristics, with elements from his contemporary western art. He also uses elements from the painting developed in the crusader lands of the East, in Cappadocia, Crete and generally in remote Greek lands. Some of these characteristics can also be seen in Apulian hermitages and the Calabrian churches of South Italy. The exterior of the north wall of the church was decorated at the end of the 15th or the beginning of the 16th century with a scene from the Last Judgement.References:
The Old Town Hall of Wrocław is one of the main landmarks of the city. The Old Town Hall's long history reflects developments that have taken place in the city since its initial construction. The town hall serves the city of Wroclaw and is used for civic and cultural events such as concerts held in its Great Hall. In addition, it houses a museum and a basement restaurant.
The town hall was developed over a period of about 250 years, from the end of 13th century to the middle of 16th century. The structure and floor plan changed over this extended period in response to the changing needs of the city. The exact date of the initial construction is not known. However, between 1299 and 1301 a single-storey structure with cellars and a tower called the consistory was built. The oldest parts of the current building, the Burghers’ Hall and the lower floors of the tower, may date to this time. In these early days the primary purpose of the building was trade rather than civic administration activities.
Between 1328 and 1333 an upper storey was added to include the Council room and the Aldermen’s room. Expansion continued during the 14th century with the addition of extra rooms, most notably the Court room. The building became a key location for the city’s commercial and administrative functions.
The 15th and 16th centuries were times of prosperity for Wroclaw as was reflected in the rapid development of the building during that period. The construction program gathered momentum, particularly from 1470 to 1510, when several rooms were added. The Burghers’ Hall was re-vaulted to take on its current shape, and the upper story began to take shape with the development of the Great Hall and the addition of the Treasury and Little Treasury.
Further innovations during the 16th century included the addition of the city’s Coat of arms (1536), and the rebuilding of the upper part of the tower (1558–59). This was the final stage of the main building program. By 1560, the major features of today’s Stray Rates were established.
The second half of the 17th century was a period of decline for the city, and this decline was reflected in the Stray Rates. Perhaps by way of compensation, efforts were made to enrich the interior decorations of the hall. In 1741, Wroclaw became a part of Prussia, and the power of the City diminished. Much of the Stray Rates was allocated to administering justice.
During the 19th century there were two major changes. The courts moved to a separate building, and the Rates became the site of the city council and supporting functions. There was also a major program of renovation because the building had been neglected and was covered with creeping vines. The town hall now has several en-Gothic features including some sculptural decoration from this period.
In the early years of the 20th century improvements continued with various repair work and the addition of the Little Bear statue in 1902. During the 1930s, the official role of the Rates was reduced and it was converted into a museum. By the end of World War II Town Hall suffered minor damage, such as aerial bomb pierced the roof (but not exploded) and some sculptural elements were lost. Restoration work began in the 1950s following a period of research, and this conservation effort continued throughout the 20th century. It included refurbishment of the clock on the east facade.