At the western end of Namik Kemal square, you will find the remains of the Venetian governor's palace (Palazzo del Proveditore). When the Venetians took over Cyprus, it was not by force, but as the end result of intrigue perpetrated over many years. In 1468 they arranged a marriage between the Lusignan king James II, and Caterina Cornaro, the 18 year old daughter of one of Venice's most noble families.
The Venetians immediately began converting the city from a French medieval one to an Italian renaissance one. They moved the capital of Cyprus from Nicosia to Famagusta, and around 1550 built the palace we see today on the ruins of a 13th century Lusignan one. The Lusignan palace was used as living accommodation for the kings of Cyprus till 1369, when it was destroyed by earthquakes.
The Venetian palace was largely destroyed by the Ottomans, but what little remains is impressive. The most noticeable part is the three-arched entrance to one side of Namik Kemal Square. It mirrored the triumphal archways of ancient Rome, and they were even able to use genuine Roman columns salvaged from Salamis. The upper part of the gateway imitates the temples of Greece and Rome, while above the central arch can be seen the arms of Giovani Renier, the Italian Governor of Cyprus at the time.
Until recently, the palace was used as a car park. However it has now been paved over and is frequently used as a venue for open air concerts.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.